Media Critique in the Age of Gillray: Scratches, Scraps, and Spectres, by Joseph Monteyne

6. Jeltje Dijkstra, Origineel en kopie: een onderzoek naar de navolging van de Meester van Flémalle en Rogier van der Weyden (PhD diss., University of Amsterdam, 1990), 24. Molly Faries sketches the centrality of the study of copies and contracts to this field. She cites in particular Johannes Taubert’s 1956 dissertation, “Zur kunstwissenschaftlichen Auswertung von naturwissenschaftlichen Gemäldeuntersuchungen” (Toward an Aesthetic Analysis of the Scientific Examination of Paintings) along with Dijkstra’s 1990 dissertation; Faries, “Reshaping the Field: The Contribution of Technical Studies,” in Early Netherlandish Painting at the Crossroads: A Critical Look at Current Methodologies, ed. Maryan W. Ainsworth (New York: Metropolitan Museum of Art, 2001), 89–91. See Peter Lukehart, introduction to Bellavitis, Making Copies in European Art, 13, which brings this bibliography up to date.