{"title":"阿多诺的因果批判:利盖蒂通过atmospheres提出的哲学音乐建议","authors":"M. Muñoz","doi":"10.15366/BP2019.21.009","DOIUrl":null,"url":null,"abstract":"This article has two parts: on the one hand, it attempts to outline the fundamental points of T. W. Adorno's critique of causality and, in particular, in reference to Aristotle and Kant. On the other hand, it made explicit the drift of this criticism in his own philosophical project, which pays special attention, in his late thoughts, to the music of the young composers of Darmstadt. Ligeti’s Atmospheres is one of the fundamental works to account for the crossover between philosophy and music in Adornian thought and, in particular, witheregard to the problem of causality","PeriodicalId":40614,"journal":{"name":"Bajo Palabra-Journal of Philosophy","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La crítica a la causalidad en T. W. Adorno: un propuesta filosófico-musical a través de Atmosphères, de Ligeti\",\"authors\":\"M. Muñoz\",\"doi\":\"10.15366/BP2019.21.009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article has two parts: on the one hand, it attempts to outline the fundamental points of T. W. Adorno's critique of causality and, in particular, in reference to Aristotle and Kant. On the other hand, it made explicit the drift of this criticism in his own philosophical project, which pays special attention, in his late thoughts, to the music of the young composers of Darmstadt. Ligeti’s Atmospheres is one of the fundamental works to account for the crossover between philosophy and music in Adornian thought and, in particular, witheregard to the problem of causality\",\"PeriodicalId\":40614,\"journal\":{\"name\":\"Bajo Palabra-Journal of Philosophy\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-07-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bajo Palabra-Journal of Philosophy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15366/BP2019.21.009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bajo Palabra-Journal of Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15366/BP2019.21.009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
La crítica a la causalidad en T. W. Adorno: un propuesta filosófico-musical a través de Atmosphères, de Ligeti
This article has two parts: on the one hand, it attempts to outline the fundamental points of T. W. Adorno's critique of causality and, in particular, in reference to Aristotle and Kant. On the other hand, it made explicit the drift of this criticism in his own philosophical project, which pays special attention, in his late thoughts, to the music of the young composers of Darmstadt. Ligeti’s Atmospheres is one of the fundamental works to account for the crossover between philosophy and music in Adornian thought and, in particular, witheregard to the problem of causality