Cooperation without Submission: Indigenous Jurisdictions in Native Nation–US Engagements by Justin B. Richland (review)

our ordinary thinking. There are also four “gallery” sections of 102 colored plates. It is not clear how the galleries relate to the chapters, for each chapter also contains its own images, and so we are left wondering if they are perhaps a cache of images for the student reader to draw from in order to curate their own imaginary exhibition. As Cree scholar Shawn Wilson would put it, engaging with this book is ceremony. Although one impressive work cannot redress the lack of resources available to teach Indigenous art from Indigenous perspectives, Making History is a start, and mandatory reading for any serious student of art history.