法国大革命时期的大象服饰与分散政治

IF 0.2 2区 艺术学 0 ART METROPOLITAN MUSEUM JOURNAL Pub Date : 2021-01-01 DOI:10.1086/718037
I. Moon
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引用次数: 0

摘要

粉色缎带在两个陶瓷花瓶弯曲的瓶身上纵横交错,每个花瓶上都有一对镶有宝石的白象头。它们卷曲的长牙侧面是一个巨大的百花香花瓶,形状像一艘豪华的船。这套作品在大都会艺术博物馆的法国装饰艺术赖特斯曼画廊中占据了最重要的位置,展示了18世纪法国王室和贵族赞助人在为洛可可式幻想制作洛可可式幻想时的卓越工艺(图1)。这些装饰品体现了法国宫廷对s式瓷器的偏爱。它们被当作外交礼物交换,显眼地陈列在欧洲富裕人家的壁炉架和桌子上。在随后的几个世纪里,savovres保留了皇家瓷器
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The Sèvres Elephant Garniture and the Politics of Dispersal during the French Revolution
Pink ribbons crisscross around the curved bellies of two porcelain vases, each crowned with a pair of bejeweled white elephant heads. Their curled tusks flank a large potpourri vase in the form of an extravagant ship. This ensemble has held pride of place in the Wrightsman Galleries for the French Decorative Arts at The Metropolitan Museum of Art, demonstrating the exceptional craftsmanship of the Sèvres royal porcelain manufactory in executing Rococo flights of fantasy for royal and aristocratic patrons in mideighteenthcentury France (fig. 1). The garniture exemplified the French court’s predilection for Sèvres porcelain, which was exchanged as diplomatic gifts and prominently displayed on the mantels and tables of wealthy European residences. In subsequent centuries, Sèvres royal porcelain
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