约翰·高尔插图:弓箭手图像、天文科学和诗歌身份

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES Pub Date : 2023-05-01 DOI:10.1215/10829636-10416613
J. A. Mitchell
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引用次数: 0

摘要

约翰·高尔(John Gower)的《喧闹的声音》(Vox Clamantis)的三本手稿的扉页上有一幅巨大的图像,画的是一位时髦的弓箭手向一个悬浮的球体射击,标题是一首短诗“Ad mundum mitto mea iacula, dumque sagitto”。文字-图像的组合与高尔的伦理和修辞要求一致,很可能是为了理想化他作为一个社会讽刺作家的姿态,并总结他一生工作的抱负。这篇文章增加了另一个维度来理解这个纪念形象,通过一个数学天文学的技术图形来阅读弓箭手。在插图中看到一个基本和弦图的轮廓,文章认为高尔的弓箭手形象呈现了一种暗示的视觉象征,将自己定位在一个更高的领域,对中世纪诗歌和科学学科的整合具有更广泛的含义。艺术中常见的具象策略显示了它们对概念模型、图形界面和与所描述的世界相称的技术对象的依赖。
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John Gower Illustrated: The Archer Images, Astronomical Science, and Poetic Identity
Three manuscript copies of John Gower's Vox Clamantis contain large frontispiece images of a fashionable archer shooting at a suspended globe, headed by the short poem “Ad mundum mitto mea iacula, dumque sagitto.” The text-image ensemble aligns with Gower's ethical and rhetorical imperatives and was likely designed to idealize his posture as a social satirist and sum up the ambitions of his life's work. This essay adds another dimension to understanding this memorial image, reading the archer through a technical figure of mathematical astronomy. Seeing in the illustration a silhouette of an elementary chord diagram, the essay argues that Gower's archer imagery presents an allusive visual emblem, positioning himself in an elevated sphere with broader implications for the integration of medieval poetic and scientific disciplines. Representational strategies common to the arts show their dependence on conceptual models, graphical interfaces, and technical objects commensurate to the described world.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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