新的“新自由主义印度女性”:女性照明的全球化

IF 0.3 0 ASIAN STUDIES South Asian Popular Culture Pub Date : 2022-05-04 DOI:10.1080/14746689.2022.2090682
Srijani Ghosh
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引用次数: 0

摘要

摘要自20世纪90年代印度开始经济自由化进程以来,全球化为西方通俗文学和文化在印度的传播开辟了渠道,并导致了它们的本土化适应。这一现象的一个例证是《印度小鸡灯》,该片的情节与西方小鸡灯有很多共同之处,但经过改编以反映印度城市流行文化,并加入了流行的印度刻板印象,如包办婚姻,使其更能与目标印度观众产生共鸣。本文通过对斯瓦蒂·考沙尔(Swati Kaushal)2004年的《一块蛋糕》(Piece of Cake。我还建议,印度年轻人需要扩大对代理的理解,包括特权主体所做的选择,即使他们不拆除霸权权力结构。
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The new ‘new liberal Indian woman’: The glocalization of chick lit
ABSTRACT Since the process of economic liberalization began in India in the 1990s, globalization opened channels for the circulation of Western popular literature and culture in India, which led to their localized adaptation. An illustrative example of this phenomenon is Indian chick lit, which features plots that have a lot in common with Western chick lit but are adapted to reflect urban Indian popular culture, complete with popular Indian stereotypes like the arranged marriage to make it more relatable to the target Indian audience. Through an analysis of Swati Kaushal’s Piece of Cake (2004) and Advaita Kala’s Almost Single (2009), this essay will illustrate how Indian chick lit represents a newer version of Rupal Oza’s post-liberalization ‘new liberal Indian woman’ and glocalizes the influences of Western culture. I also suggest that Indian chick lit requires a broadening of the understanding of agency to include the choices that privileged subjects make even if they do not dismantle hegemonic power structures.
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
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