{"title":"意味着穆迪……辉煌!:《简·罗素与好莱坞传奇的营销》克里斯蒂娜·赖斯著(书评)","authors":"Kevin Brianton","doi":"10.1353/flm.2022.0006","DOIUrl":null,"url":null,"abstract":"Jane Russell was one of Hollywood’s leading pre-Marilyn Monroe sex symbols in the 1940s and 1950s. Russell came to prominence in her first film, the notorious The Outlaw, which tested the censorship boundaries of the Production Code. She was presented as a sultry sex siren, yet Russell’s politics were conservative, and she was a passionate Christian. The tension between her onscreen persona and her strong spiritual values is an intriguing area for study.","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"52 1","pages":"67 - 69"},"PeriodicalIF":0.0000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend by Christina Rice (review)\",\"authors\":\"Kevin Brianton\",\"doi\":\"10.1353/flm.2022.0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Jane Russell was one of Hollywood’s leading pre-Marilyn Monroe sex symbols in the 1940s and 1950s. Russell came to prominence in her first film, the notorious The Outlaw, which tested the censorship boundaries of the Production Code. She was presented as a sultry sex siren, yet Russell’s politics were conservative, and she was a passionate Christian. The tension between her onscreen persona and her strong spiritual values is an intriguing area for study.\",\"PeriodicalId\":53571,\"journal\":{\"name\":\"Film and History\",\"volume\":\"52 1\",\"pages\":\"67 - 69\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Film and History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/flm.2022.0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film and History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/flm.2022.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend by Christina Rice (review)
Jane Russell was one of Hollywood’s leading pre-Marilyn Monroe sex symbols in the 1940s and 1950s. Russell came to prominence in her first film, the notorious The Outlaw, which tested the censorship boundaries of the Production Code. She was presented as a sultry sex siren, yet Russell’s politics were conservative, and she was a passionate Christian. The tension between her onscreen persona and her strong spiritual values is an intriguing area for study.
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