{"title":"Boris Latoshinski在19世纪乌克兰音乐文化的交流形式中","authors":"І. І. Савчук","doi":"10.31500/2309-8813.16.2020.219997","DOIUrl":null,"url":null,"abstract":"The article examines the communicative mechanisms of the Borys Liatoshynsky cultural initiatives in Polish culture in the1950s — 1960s. The Polish component is an integral part of the artist’s ideological, professional and cultural identity. The study of thesevectors through the Liatoshynsky cross-cultural activities in the field of European cultures builds his dialogue with the mental image ofUkrainian culture and forms the main ideas about Liatoshynsky as a national cultural figure.","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Борис Лятошинський у комунікативних форматах української музичної культури ХХ століття\",\"authors\":\"І. І. Савчук\",\"doi\":\"10.31500/2309-8813.16.2020.219997\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article examines the communicative mechanisms of the Borys Liatoshynsky cultural initiatives in Polish culture in the1950s — 1960s. The Polish component is an integral part of the artist’s ideological, professional and cultural identity. The study of thesevectors through the Liatoshynsky cross-cultural activities in the field of European cultures builds his dialogue with the mental image ofUkrainian culture and forms the main ideas about Liatoshynsky as a national cultural figure.\",\"PeriodicalId\":34369,\"journal\":{\"name\":\"Suchasne mistetstvo\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Suchasne mistetstvo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31500/2309-8813.16.2020.219997\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Suchasne mistetstvo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31500/2309-8813.16.2020.219997","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Борис Лятошинський у комунікативних форматах української музичної культури ХХ століття
The article examines the communicative mechanisms of the Borys Liatoshynsky cultural initiatives in Polish culture in the1950s — 1960s. The Polish component is an integral part of the artist’s ideological, professional and cultural identity. The study of thesevectors through the Liatoshynsky cross-cultural activities in the field of European cultures builds his dialogue with the mental image ofUkrainian culture and forms the main ideas about Liatoshynsky as a national cultural figure.
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