“不仅仅是礼物”:法国的孤儿,法美书信关系,以及第一次世界大战期间和之后人与人之间的大众慈善事业的诞生

IF 0.6 3区 历史学 Q1 HISTORY Journal of Womens History Pub Date : 2022-11-30 DOI:10.1353/jowh.2022.0037
Brett A. Berliner
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引用次数: 0

摘要

摘要:大战给法国家庭带来了惨痛的损失,成千上万的儿童成为战争孤儿。为了补充法国政府对这些儿童的微薄援助,法国知识分子于1914年创建了孤儿院。然而,它在经济和道德上的成功要归功于英国、美国和法国妇女,她们在1915年创建了孤儿院的美国分支——法国无父之子(FCOF)。这些国际主义女性通过将法国的救济对象视为个人和可知的人,使大众慈善事业现代化;他们调动情感,开创了大规模儿童赞助的先河,将慈善转变为通过书信关系建立起来的情感友谊。在战争结束很久之后,作为FCOF的继承组织,佛朗哥兄弟会(FFA)继续援助战争孤儿,并推广国际笔友关系的实践,以追求国际友谊、理解与和平。
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"More Than the Gift": The Fatherless Children of France, Franco-American Epistolary Relationships, and the Birth of Person-to-Person Mass Philanthropy during and after the Great War
Abstract:The Great War took a tragic toll on the French family, leaving hundreds of thousands of children as war orphans. To supplement the French state's meager assistance to these children, French intellectuals created the Orphelinat des armées [Army Orphanage] in 1914. Its financial and moral success, however, was due to British, American, and French women who created in 1915 the Orphelinat's American arm, the Fatherless Children of France (FCOF). These internationalist women modernized mass philanthropy by treating the French recipients of relief as individuals and knowable; they mobilized emotions to pioneer mass child sponsorship, transforming charity into sentimental friendships sealed through epistolary relationships. Long after the war ended, the Fraternité Franco-américaine (FFA), the successor organization to the FCOF, both continued to aid war orphans and popularized the practice of international pen-pal relationships to pursue international friendship, understanding, and peace.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: Journal of Women"s History is the first journal devoted exclusively to the international field of women"s history. It does not attempt to impose one feminist "line" but recognizes the multiple perspectives captured by the term "feminisms." Its guiding principle is a belief that the divide between "women"s history" and "gender history" can be, and is, bridged by work on women that is sensitive to the particular historical constructions of gender that shape and are shaped by women"s experience.
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