{"title":"日本，模棱两可，我的脆弱，复杂和进化的自我","authors":"Linus Hagström","doi":"10.1080/14484528.2022.2139629","DOIUrl":null,"url":null,"abstract":"ABSTRACT This essay takes literature laureate Kenzaburo Oe’s Nobel lecture from 1994, Japan, the Ambiguous, and Myself, as a point of departure for thinking about Japan, the ambiguous and how the already fragile and complex narrator that is I has evolved ambiguously over time in relation to a similarly ambiguous and changing imagination of Japan. Based on aikido practice—the narrator’s gateway to Japan—the essay ends up proposing a different understanding of and approach to ambiguity to Oe’s.","PeriodicalId":43797,"journal":{"name":"Life Writing","volume":"20 1","pages":"443 - 452"},"PeriodicalIF":0.3000,"publicationDate":"2022-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Japan, the Ambiguous, and My Fragile, Complex and Evolving Self\",\"authors\":\"Linus Hagström\",\"doi\":\"10.1080/14484528.2022.2139629\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This essay takes literature laureate Kenzaburo Oe’s Nobel lecture from 1994, Japan, the Ambiguous, and Myself, as a point of departure for thinking about Japan, the ambiguous and how the already fragile and complex narrator that is I has evolved ambiguously over time in relation to a similarly ambiguous and changing imagination of Japan. Based on aikido practice—the narrator’s gateway to Japan—the essay ends up proposing a different understanding of and approach to ambiguity to Oe’s.\",\"PeriodicalId\":43797,\"journal\":{\"name\":\"Life Writing\",\"volume\":\"20 1\",\"pages\":\"443 - 452\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-11-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Life Writing\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14484528.2022.2139629\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Life Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14484528.2022.2139629","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Japan, the Ambiguous, and My Fragile, Complex and Evolving Self
ABSTRACT This essay takes literature laureate Kenzaburo Oe’s Nobel lecture from 1994, Japan, the Ambiguous, and Myself, as a point of departure for thinking about Japan, the ambiguous and how the already fragile and complex narrator that is I has evolved ambiguously over time in relation to a similarly ambiguous and changing imagination of Japan. Based on aikido practice—the narrator’s gateway to Japan—the essay ends up proposing a different understanding of and approach to ambiguity to Oe’s.
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