荣格的红皮书、即兴创作和mātic精神

R. Fertel
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引用次数: 0

摘要

摘要把《红皮书》理解为即兴创作,把荣格理解为即兴创作者,为理解主动想象和由此产生的分析方法提供了新的途径。这种方法揭示了mētic精神——多元智慧的精神——它体现在《红书》和赫尔墨斯/墨丘利斯/骗子的原型形象中,它体现了所有的即兴创作,并将主宰荣格的职业生涯。《红书》中即兴创作的修辞传达了这样一种信息,即不受定向意识或自我的污染,人物和形象从他的无意识中自发地出现,并控制着他,而不是他控制着他们。这种姿态赋予了创作艺术和认识自我和世界的非理性方式以特权,这是20世纪典型的范式转变的重要组成部分。荣格的《红书》处于从客观理性转向一种可以包含主观因素的理性的努力的前沿:无意识和非理性,不仅仅是“宽阔的公路”,还有……
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Jung’s Red Book, improvisation, and the mētic spirit
ABSTRACTUnderstanding The Red Book as an improvisation and Jung as an improviser offers a new approach to understanding the active imagination and the analytic method that emerged from it. Such an approach uncovers the mētic spirit – the spirit of polytropic intelligence – that informs The Red Book and the archetypal figure of Hermes/Mercurius/Trickster that informs all improvisations and will come to dominate Jung’s career. The rhetoric of improvisation in The Red Book conveys that, uncontaminated by the directed consciousness or ego, personae and imagoes arise spontaneously from his unconscious and control him, not he them. Such gestures privilege non-rational ways of making art and knowing the self and world, part and parcel of the paradigm shift that characterizes the 20th century. Jung’s Red Book is on the leading edge of that effort to shift from objective rationality to a rationality that can embrace subjective elements: the unconscious and the irrational, not just the “broad highways” but also the...
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来源期刊
International Journal of Jungian Studies
International Journal of Jungian Studies Psychology-Applied Psychology
CiteScore
1.10
自引率
0.00%
发文量
10
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