有待跨越的界线:奉俊昊《寄生虫》中的去全球化与西方本土

IF 2 2区 社会学 Q1 CULTURAL STUDIES Critical Inquiry Pub Date : 2023-06-01 DOI:10.1086/724983
Joseph Jonghyun Jeon
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引用次数: 0

摘要

本文将奉俊昊的《寄生虫》(2019)置于华盛顿共识的历史逻辑之中。在这种广泛的背景下,我们可能会认为这部电影广受欢迎的阶级批判并不像最初出现在一部主要在一个家庭范围内上演的电影中那样在国内受到控制。相反,它打开了一个全球政治经济框架,通过一个嵌套的结构来探索这个框架,在这个结构中,阶级动态也被动员起来探索冷战和贸易战逻辑,这两种逻辑都与国内问题有着根本的联系。《寄生虫》揭示了华盛顿共识中固有的分歧,这种分歧总是潜伏的,但最终变得更加明显。我们可以更普遍地说,阶级差异的故事在停滞时期呈现出明显不同的基调;《寄生虫》中的具体焦虑不仅是社会不平等的道德事实,还特别是在资源不断减少的情况下财富的物质分配。残酷竞争的事实出现在一个表面上似乎由丰富定义的环境中。
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Lines Left to Cross: Deglobalization and the Domestic Western in Bong Joon-ho’s Parasite
This article situates Bong Joon-ho’s Parasite (2019) within the historical logics of the Washington Consensus. In this broad context, we might think of the film’s much-heralded class critique as not quite so domestically contained as may initially appear in a film staged primarily in the confines of a single household. Instead, it opens onto a global political economic framework, which it explores through a nested structure in which class dynamics are also mobilized to explore cold-war and trade-war logics, both of which are revealed to be radically interconnected with domestic concerns. Parasite reveals then the inherent dissensus in the Washington Consensus, a dissensus that was always latent but eventually became more explicit. We might say more generally that stories of class difference take on a pointedly different tenor during periods of stagnation; the specific anxiety in Parasite then is not just over the moral fact of social inequality but also specifically about the material distribution of wealth in the face of diminishing resources. The fact of brutal competition emerges from a milieu that seems ostensibly defined by plentitude.
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来源期刊
Critical Inquiry
Critical Inquiry Multiple-
CiteScore
2.80
自引率
0.00%
发文量
88
期刊介绍: Critical Inquiry has published the best critical thought in the arts and humanities since 1974. Combining a commitment to rigorous scholarship with a vital concern for dialogue and debate, the journal presents articles by eminent critics, scholars, and artists on a wide variety of issues central to contemporary criticism and culture. In CI new ideas and reconsideration of those traditional in criticism and culture are granted a voice. The wide interdisciplinary focus creates surprising juxtapositions and linkages of concepts, offering new grounds for theoretical debate. In CI, authors entertain and challenge while illuminating such issues as improvisations, the life of things, Flaubert, and early modern women"s writing.
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