贾斯提的《普遍君主论》(1747):一个被误解的讽刺

Q4 Arts and Humanities Opera Historica Pub Date : 2019-03-30 DOI:10.32725/oph.2019.002
E. Nokkala
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引用次数: 0

摘要

约翰·海因里希·戈特洛布·冯·贾斯提(1717-1771)的作品已被证明很难将其背景化和解释。人们一致认为,他是18世纪50年代至70年代最有影响力的德国政治和经济作家之一;然而,对他作品的价值和独创性的评价却大相径庭。传统上,贾斯蒂一直被视为德国主要的摄影师之一,也就是说,被视为国家重商主义政策的专家。在过去的四十年里,对摄影学和摄影科学的重新解释已经改变并不断改变着人们对这位摄影科学主要倡导者的看法我们已经意识到,摄影师在政治方面写了大量文章
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Justi's Essay on Universal Monarchy (1747): A Misunderstood Satire
Introduction Johann Heinrich Gottlob von Justi’s (1717–1771)1 work has proved difficult to contextualise and interpret. There is consensus that he was one of the most influential German political and economic writers from the 1750s to 1770s; however, evaluations of the value and originality of his work vary greatly. Traditionally, Justi has been seen as one of the leading German cameralists2 that is to say, as a specialist of the mercantilist policy of the state. Reinterpretations of cameralism and cameral sciences have changed and keep changing the ways the main proponent of cameral sciences has been seen during the past forty years.3 We have come to realise that cameralists wrote extensively on political
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来源期刊
Opera Historica
Opera Historica Arts and Humanities-History
CiteScore
0.20
自引率
0.00%
发文量
15
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