北欧地区内外的地缘政治电视剧

IF 2 Q2 COMMUNICATION Nordicom Review Pub Date : 2020-09-01 DOI:10.2478/nor-2020-0013
P. Chow, Anne Marit Waade, R. Saunders
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引用次数: 2

摘要

摘要本文通过考察当代北欧黑色犯罪剧类型,提出了一个思考地缘政治与北欧电视剧交集的框架。《北欧黑色》的特点不仅是将社会政治批判与犯罪剧结合起来的双重情节,而且还有第三种“凝视”,这种“凝视”结合了美学和领土特征,进一步推动了个别系列的地缘政治批判。北欧黑色已经变得特别适合当代地缘政治问题,具体到它的设置(气候变化,东西方竞争等),通过它,观众参与到特定地区的地缘政治代码和愿景。然而,当北欧地缘政治电视剧被出口并跨文化地适应不同的地缘政治和文化现实时会发生什么?通过研究《桥》在东南亚的本地化(Viu/HBO Asia, 2018 -),将北欧黑色电影转变为“热带黑色”,本文批判性地反思了北欧地区内外的地缘政治力量和北欧黑色电影模板的社会参与。
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Geopolitical Television Drama Within and Beyond the Nordic Region
Abstract This article presents a framework for thinking about the intersections between geopolitics and Northern European television drama by examining the contemporary Nordic Noir genre of crime drama. Nordic Noir features not only the double plot that combines sociopolitical critique with crime drama, but also a third “gaze” that engages aesthetics and territorial features that further individual series’ geopolitical critique. Nordic Noir has become especially attuned to contemporary geopolitical issues specific to its setting (climate change, East-West rivalries, etc.), through which viewers engage with region-specific geopolitical codes and visions. However, what happens when Nordic geopolitical television drama series are exported and transculturally adapted to different geopolitical and cultural realities? By examining the Southeast Asian localisation of The Bridge (Viu/HBO Asia, 2018–) that transforms Nordic Noir into “tropical noir”, this article critically reflects on the geopolitical power and societal engagement of the Nordic Noir template both within and beyond the Nordic region.
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来源期刊
Nordicom Review
Nordicom Review COMMUNICATION-
CiteScore
2.80
自引率
9.10%
发文量
10
审稿时长
52 weeks
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