卡斯提尔多米尼加修道院的艺术和礼拜仪式。从起源到观察宗教改革(1218 - 1506)。她的父亲是一名律师,母亲是一名律师。

IF 0.2 2区 历史学 N/A ARCHAEOLOGY Journal of the British Archaeological Association Pub Date : 2023-08-11 DOI:10.1080/00681288.2023.2234743
P. Díaz
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引用次数: 1

摘要

1.另见V.Ivanovici、G.Herea和A.I.Sullivan,“空间、图像、光:走向对十五世纪摩尔达维亚建筑的理解”,盖斯塔,60(2021),81–100,提供有用的图表和更广泛的参考书目。2.S.C.McCluskey,“分析光和影的相互作用”,载于《考古天文学和民族天文学手册》,C.L.N.Ruggles编辑(纽约,2015年),434。3.关于这种方法,请参见B.Pentcheva,“闪闪发光的眼睛:拜占庭Eik on和西方Imago的动画”,Codex Aquvilarensis,32(2016),209–36。
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Arte y liturgia en los monasterios de dominicas en Castilla. Desde los orígenes hasta la reforma observante (1218–1506). By mercedes pérez vidal.
1. See also V. Ivanovici, G. Herea and A. I. Sullivan, ‘Space, Image, Light: Toward an Understanding of Moldavian Architecture in the Fifteenth Century’, Gesta, 60 (2021), 81–100, with useful diagrams and a more extensive bibliography. 2. S. C. McCluskey, ‘Analyzing Light-and-Shadow Interactions’, in Handbook of Archaeoastronomy and Ethnoastronomy, ed. C. L. N. Ruggles (New York 2015), 434. 3. For this approach, see B. Pentcheva, ‘Glittering Eyes: Animation in the Byzantine Eik on and the Western Imago’, Codex Aqvilarensis, 32 (2016), 209–36.
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