解构布兰妮·斯皮尔斯:明星、崩溃和监护权

IF 1.5 Q1 CULTURAL STUDIES Journal for Cultural Research Pub Date : 2021-10-02 DOI:10.1080/14797585.2021.2018663
Otávio Daros
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引用次数: 1

摘要

摘要本文采用多种研究来源,批判性地考察了歌手布兰妮·斯皮尔斯40多年来的发展轨迹,从她成名的第一步到#FreeBritney运动的展开。在第一部分中,该研究讲述了她作为路易斯安那州一个工人阶级家庭的农村女孩的出身,以及她是如何被精心打造成“美国梦小姐”的。然后,它分析了她试图摆脱特工团队的失败,将她推向了一系列有争议的事件,以及她的自我毁灭——包括她“坏母亲”的名声——被媒体过度报道。在最后一部分,我们讨论了她是如何迫于压力重建自己的形象并重新获得音乐生涯的,同时又成为了13年监护权的受害者,这在名人界是独一无二的。贯穿考试的论点是,她将超级明星、过度保护、自我毁灭和重生结合在一起的轨迹涉及剥削与抵抗、对名人地位的肯定与否认之间的辩证冲突。
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Deconstructing Britney Spears: stardom, meltdown and conservatorship
ABSTRACT Using a diverse set of research sources, this article critically examines the trajectory of singer Britney Spears over four decades, from her first steps towards fame to the unfolding of the #FreeBritney movement. In the first part, the study addresses her origins as a rural girl from a working-class family in Louisiana and how she was meticulously constructed like ‘Miss American Dream’. It then analyzes her unsuccessful attempt to break free from the team of agents, pushing her into a series of controversial episodes and her self-destruction – including her reputation as a ‘bad mother’ – overly covered by the media. And in the final part, it is discussed how she was pressured to reconstruct her image and regain her musical career, while falling victim to a 13-year conservatorship that is a unique case in the celebrity world. The argument that permeates the examination is that her trajectory that combines megastardom, overprotection, self-destruction and rebirth involves a dialectical conflict between exploitation and resistance, affirmation and denial of celebrity status.
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来源期刊
Journal for Cultural Research
Journal for Cultural Research CULTURAL STUDIES-
CiteScore
1.40
自引率
0.00%
发文量
23
期刊介绍: JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.
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