{"title":"管家如归:在“大好时光”改编室内剧场","authors":"Patricia A. Suchy","doi":"10.1080/10462937.2022.2088845","DOIUrl":null,"url":null,"abstract":"ABSTRACT In 2018, I adapted and staged Marilynne Robinson's 1980 novel Housekeeping for the HopKins Black Box at Louisiana State University. The adaptation was both a return to my roots in Chamber Theatre and an adaptation of the method itself to speak to and of the contexts of a contemporary, situated ensemble of performers and audience. In this essay, I describe the rationale for returning to Chamber Theatre for an adaptation of Housekeeping and how my understanding of the practice has evolved in the last several decades.","PeriodicalId":46504,"journal":{"name":"Text and Performance Quarterly","volume":"43 1","pages":"180 - 186"},"PeriodicalIF":0.6000,"publicationDate":"2022-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Housekeeping as homecoming: adapting Chamber Theatre in “great time”\",\"authors\":\"Patricia A. Suchy\",\"doi\":\"10.1080/10462937.2022.2088845\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT In 2018, I adapted and staged Marilynne Robinson's 1980 novel Housekeeping for the HopKins Black Box at Louisiana State University. The adaptation was both a return to my roots in Chamber Theatre and an adaptation of the method itself to speak to and of the contexts of a contemporary, situated ensemble of performers and audience. In this essay, I describe the rationale for returning to Chamber Theatre for an adaptation of Housekeeping and how my understanding of the practice has evolved in the last several decades.\",\"PeriodicalId\":46504,\"journal\":{\"name\":\"Text and Performance Quarterly\",\"volume\":\"43 1\",\"pages\":\"180 - 186\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-06-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Text and Performance Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10462937.2022.2088845\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Text and Performance Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10462937.2022.2088845","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Housekeeping as homecoming: adapting Chamber Theatre in “great time”
ABSTRACT In 2018, I adapted and staged Marilynne Robinson's 1980 novel Housekeeping for the HopKins Black Box at Louisiana State University. The adaptation was both a return to my roots in Chamber Theatre and an adaptation of the method itself to speak to and of the contexts of a contemporary, situated ensemble of performers and audience. In this essay, I describe the rationale for returning to Chamber Theatre for an adaptation of Housekeeping and how my understanding of the practice has evolved in the last several decades.