{"title":"清理桌子、舞池和唱片堆：后记","authors":"John L. Jackson","doi":"10.1080/17528631.2017.1394614","DOIUrl":null,"url":null,"abstract":"Blastmaster KRS-One first piqued my interest in Africana Hebrewisms. The boom-bap, boom-bap, boom-bap of drum machines’ staccato incantations served as an acoustic backdrop for his poetic formulati...","PeriodicalId":39013,"journal":{"name":"African and Black Diaspora","volume":"11 1","pages":"221 - 227"},"PeriodicalIF":0.0000,"publicationDate":"2018-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17528631.2017.1394614","citationCount":"0","resultStr":"{\"title\":\"Clearing tables, dancefloors, and record stacks: an afterword\",\"authors\":\"John L. Jackson\",\"doi\":\"10.1080/17528631.2017.1394614\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Blastmaster KRS-One first piqued my interest in Africana Hebrewisms. The boom-bap, boom-bap, boom-bap of drum machines’ staccato incantations served as an acoustic backdrop for his poetic formulati...\",\"PeriodicalId\":39013,\"journal\":{\"name\":\"African and Black Diaspora\",\"volume\":\"11 1\",\"pages\":\"221 - 227\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/17528631.2017.1394614\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"African and Black Diaspora\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17528631.2017.1394614\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"African and Black Diaspora","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17528631.2017.1394614","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
Clearing tables, dancefloors, and record stacks: an afterword
Blastmaster KRS-One first piqued my interest in Africana Hebrewisms. The boom-bap, boom-bap, boom-bap of drum machines’ staccato incantations served as an acoustic backdrop for his poetic formulati...
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