中国“迪奥系列”与西方“失败者系列”的后现代视觉文化叙事伦理比较

IF 0.2 0 LITERATURE Interlitteraria Pub Date : 2019-08-13 DOI:10.12697/IL.2019.24.1.15
Shaomin Zheng
{"title":"中国“迪奥系列”与西方“失败者系列”的后现代视觉文化叙事伦理比较","authors":"Shaomin Zheng","doi":"10.12697/IL.2019.24.1.15","DOIUrl":null,"url":null,"abstract":"The main characteristics of the post-modern culture such as counterculture, non-conformism, virtualization, fragmentation, mass culture, business culture and irrationalism etc., decide the post-modernity of visual culture. “Film”, as an indispensable element of visual culture, has a narrative ethics that can be used for an interpretation of ethical orientation and ethical values in post-modern visual culture. This article, by comparing “Diors image” in Chinese Diors series with “loser image” in western loser series, the typical post-modern visual image, takes the post-modern context as the focal point and makes a further study of “Diors culture” or “loser culture”, which is formed in the phenomenon of post-modern culture, and thus explores narrative ethics and ethical values in post-modern visual culture.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2019-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Narrative Ethics of Post-Modern Visual Culture between Chinese “Diors Series” and Western “Loser Series” in Comparative Perspective\",\"authors\":\"Shaomin Zheng\",\"doi\":\"10.12697/IL.2019.24.1.15\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The main characteristics of the post-modern culture such as counterculture, non-conformism, virtualization, fragmentation, mass culture, business culture and irrationalism etc., decide the post-modernity of visual culture. “Film”, as an indispensable element of visual culture, has a narrative ethics that can be used for an interpretation of ethical orientation and ethical values in post-modern visual culture. This article, by comparing “Diors image” in Chinese Diors series with “loser image” in western loser series, the typical post-modern visual image, takes the post-modern context as the focal point and makes a further study of “Diors culture” or “loser culture”, which is formed in the phenomenon of post-modern culture, and thus explores narrative ethics and ethical values in post-modern visual culture.\",\"PeriodicalId\":41069,\"journal\":{\"name\":\"Interlitteraria\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-08-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Interlitteraria\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12697/IL.2019.24.1.15\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Interlitteraria","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12697/IL.2019.24.1.15","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0

摘要

后现代文化的主要特征,如反主流文化、不墨守成规、虚拟化、碎片化、大众文化、商业文化和非理性主义等,决定了视觉文化的后现代性。“电影”作为视觉文化中不可或缺的元素,具有叙事伦理,可以用来解读后现代视觉文化中的伦理取向和伦理价值。本文通过对中国迪奥系列中的“迪奥形象”与西方失败者系列中典型的后现代视觉形象“失败者形象”的比较,以后现代语境为切入点,对后现代文化现象中形成的“迪奥文化”或“失败者文化”进行了深入的研究,从而探索后现代视觉文化中的叙事伦理与伦理价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Narrative Ethics of Post-Modern Visual Culture between Chinese “Diors Series” and Western “Loser Series” in Comparative Perspective
The main characteristics of the post-modern culture such as counterculture, non-conformism, virtualization, fragmentation, mass culture, business culture and irrationalism etc., decide the post-modernity of visual culture. “Film”, as an indispensable element of visual culture, has a narrative ethics that can be used for an interpretation of ethical orientation and ethical values in post-modern visual culture. This article, by comparing “Diors image” in Chinese Diors series with “loser image” in western loser series, the typical post-modern visual image, takes the post-modern context as the focal point and makes a further study of “Diors culture” or “loser culture”, which is formed in the phenomenon of post-modern culture, and thus explores narrative ethics and ethical values in post-modern visual culture.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Interlitteraria
Interlitteraria LITERATURE-
自引率
0.00%
发文量
10
审稿时长
20 weeks
期刊最新文献
Heart to Heart: The Power of Lyrical Bonding in Romantic Nationalism “This Land Is Your Land”: A Note on America as a Nation of “Varied Carols” The Role of Lyrics in Estonian Literature: Three Exemplary Cases Traducir poesía es descubrir los volcanes sepultados debajo de los pies. A propósito de Valitud tõlkeluulet 1970–2020 (Selección de la poesía traducida, 1970–2020), por Jüri Talvet “In a Miracle Wellspring” of Goethe’s Poetry: Comments on the Role of Translated Poetry in a Small Literature
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1