反思接地:通过筛查观察COVID

C. Kappenberg, Fiontán Moran
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引用次数: 0

摘要

与英国大部分地区一样,东南部的艺术界在2020年春季的封锁期间基本上处于瘫痪状态,布莱顿、Towner Eastbourne、De La Warr Pavilion Bexhill、黑斯廷斯当代和黑斯廷斯博物馆以及沿海地区许多较小的艺术、音乐和戏剧场所暂时关闭。许多画廊的工作人员都在休假,网上的内容往往是由其他地方的大型机构提供的,除了黑斯廷斯在Facebook上播放的《隔离站》(Isolation Station)等草根活动。东苏塞克斯海岸所有艺术机构的关闭,以及它们惯常信号的缺失,感觉像是一种相反的现象和令人不安的预兆。ground是为了回应这个地区的沉默而设计的,策展人Claudia Kappenberg和Fiontán Moran为MIRAJ反思了这个项目。
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Reflecting on grounded: A lens on COVID through Screendance
Like much of the United Kingdom, arts communities in the South East were largely paralysed during the lockdown in spring 2020 through the temporary closure of venues in Brighton, the Towner Eastbourne, the De La Warr Pavilion Bexhill, Hastings Contemporary and Hastings Museum, and numerous smaller arts, music and theatre venues along the coast. Many gallery staff were on furlough and online content tended to be provided by larger institutions elsewhere, apart from grassroots activities such as Hasting’s Isolation Station broadcast on Facebook. The closure of arts institutions all along the East Sussex Coast and the absence of their habitual signalling felt like an inverse phenomenon and uneasy foreboding. grounded was devised in response to this regional silence and the curators, Claudia Kappenberg and Fiontán Moran reflected on the project for MIRAJ.
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来源期刊
Moving Image Review and Art Journal
Moving Image Review and Art Journal Arts and Humanities-Visual Arts and Performing Arts
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