科鲁托斯《绑架海伦》中的静止与运动

IF 0.2 3区 历史学 N/A CLASSICS Trends in Classics Pub Date : 2020-06-25 DOI:10.1515/tc-2020-0008
Orestis Karavas
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引用次数: 0

摘要

那个时代的诗人试图通过自己的作品将自己的名字镌刻在不朽的墙上。实现这一目标的一种方法是“填补”荷马在他的诗中留下的空白,或者继续他开始的故事。科卢修斯,生活在阿纳斯塔修斯统治时期(公元5 -6世纪)的埃及希腊诗人,以短诗《海伦的绑架》的作者而闻名。这部《伊利亚特》的“前传”是在关于特洛伊战争开始的悠久传说传统之后写成的。在本文中,我将研究科卢蒂斯如何在《绑架海伦》中运用他的人物的静止和运动。我将证明,运动总是导致灾难,而不动是被迫不作为或监禁的同义词。
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Immobility and Motion in Colluthus’ The Abduction of Helen
Abstract The poets of that time seek to find a way to engrave their names on the wall of immortality through their works. One way of achieving this was by “filling in the gaps” Homer left in his poems, or continuing through them the stories he started. Colluthus, a Greek poet of Egypt, who lived under the reign of Anastasius (5th-6th centuries AD), is known as the author of the short poem The Abduction of Helen. This “prequel” to the Iliad comes after a very long tradition of legends concerning the beginning of the war of Troy. In the present paper I will study how Colluthus uses his characters’ immobility and motion in The Abduction of Helen. I will show that motion always causes a catastrophe, whereas immobility is a synonym for forced inaction or imprisonment.
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来源期刊
Trends in Classics
Trends in Classics CLASSICS-
CiteScore
0.40
自引率
50.00%
发文量
9
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