通过约翰启示录中穿太阳衣服的女人和新娘的“眼睛”重新设想教会

Chakrita M. Saulina
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引用次数: 0

摘要

《启示录》以许多神秘的图像和符号为主,这些图像和符号引发了各种解释和猜测。在这些令人困惑的图像中,本书后半部分的女性象征值得注意:启示录12中穿着太阳衣服的女人,启示录17中的妓女,以及启示录21中的新娘。它们的含义经常被争论。一些女权主义学者认为,这些图像唤起了对女性的暴力,充满了以男性为中心的语言。然而,其他人则通过强调这些女性符号的隐喻性质来反驳这一说法。本研究旨在通过更密切地观察约翰的隐喻和叙事系统,并利用历史批判和叙事方法,为这场辩论提供新的解释。这部作品认为,这些女性形象传达了女性的积极形象和羔羊教会的包容性。此外,披着太阳外衣的男人和新娘在约翰的启示录中扮演着至关重要的角色。这两个隐喻之间的联系——女性的转变和成为新娘——为当代教会,包括印尼的教会,提供了一个重要的信息,让他们能够驾驭世界,克服危机。
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Re-envisioning the Church through the "Eyes" of the Woman Clothed with the Sun and the Bride in John’s Apocalypse
The book of Revelation is dominated by many enig­ma­tic images and symbols that spark a variety of interpretations and speculations. Among these puzzling images, the feminine symbols in the second half of the book are worth noting: the wo­man clothed with the sun in Revelation 12, the whore in Rev­e­lation 17, and the bride in Revelation 21. Their meanings are often debated. Some feminist scholars argue that these images evoke violence towards women and are full of androcentric lan­g­uage. Others, however, by underlining the metaphoric nature of these female symbols, refute this claim. This study aims to pro­vide a fresh interpretation of this debate by looking more closely at the web of John’s metaphors and narrative system and utilizing both historical-critical and narrative approaches. This work argues that these female figures convey positive images of women and inclusivity in the Lamb’s Church. Moreover, the wo­man clothed with the sun and the bride have a vital role in John’s apocalypse. The link between these two metaphors—the transformation of the woman and becoming the bride—offers an important message to contemporary churches, including church­es in Indonesia, in navigating the world and overcoming cris­es.
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审稿时长
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