位移感

IF 0.2 Q3 Arts and Humanities Perfect Beat Pub Date : 2023-01-31 DOI:10.1558/prbt.23750
Giordano Calvi
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引用次数: 0

摘要

Olde Throne是一个由来自基督城的年轻音乐家Harrison McKenzie创作的黑色金属独奏项目。他的音乐作品的主题是苏格兰和爱尔兰的历史和神话,更普遍的主题是与凯尔特文化有关。2019年在苏格兰度过一段时间后,哈里森·麦肯齐对这片远离家乡的土地的历史和神话越来越感兴趣。他对苏格兰人的过去有着强烈的情感联系,事实上,他的姓氏也受到了这个祖先的影响。他对挪威黑色金属的热情,在他十几岁的时候就开始了,这与他对过去的寻找有关,这也导致了Olde Throne的音乐提议。这篇“Riffs”文章,从文本和音乐分析中发展而来,并通过对Olde Throne音乐家的采访得到证实,试图强调对过去的怀念,更多的是想象而不是生活,隐藏着一种位移感,这种位移感通过黑金属的侵略性和极端情绪化的声音找到了它的路,这是基督城很少实践的音乐类别。欧洲,作为苏格兰和爱尔兰文化的摇篮,作为演奏和体验黑金属的理想之地,在Olde Throne音乐的声音和抒情坐标中富有想象力地形成。
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sense of displacement
Olde Throne is a solo black metal project created by Harrison McKenzie, a young musician from Christchurch. The main theme of his music production is Scottish and Irish history and mythology, more generally themes related to Celtic culture. After spending time in 2019 in Scotland, Harrison McKenzie became increasingly interested in the history and mythology of this land far from his native home. He felt a strong emotional connection to the past of Scottish people, in fact his surname is influenced by this ancestry. His passion for Norwegian black metal, developed in his teenage years, was linked to the search for his past, giving rise to Olde Throne’s musical proposal. This ‘Riffs’ article, developed from a textual and musical analysis and corroborated by an interview with the musician of Olde Throne, attempts to highlight how nostalgia for a past, more imagined than lived, conceals a sense of displacement that finds its way out through the aggressive and extremely emotive sounds of black metal, a musical category little practised in Christchurch. Europe, as the cradle of Scottish and Irish cultures and as an ideal place to play and experience black metal, takes shape imaginatively in the sonic and lyrical coordinates of Olde Throne’s music.
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来源期刊
Perfect Beat
Perfect Beat MUSIC-
CiteScore
0.60
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0
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