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引用次数: 0
摘要
为了促进快速工业化的成功,特别是在第一个五年计划(1928-32)期间,苏联摄影通过共产国际的网络传播到其他国家。苏联照片在新闻界的传播帮助定义了一种特殊的共产主义视觉文化,其特点是独特的视觉修辞和通过蒙太奇和动态页面布局对图像进行图形处理。本文强调了平面设计师和插画师在法国政治蒙太奇发展中的作用,特别是通过与共产党有关的期刊,如Regards和Almanach ouvrier et paysan。这些插图出版物经常借用他们的图像和创新的页面布局直接从苏联杂志,如苏联在建设。通过展示图像是如何被挪用和转化的,我认为,20世纪30年代早期的共产主义编辑鼓励了一种挑战个人作者身份的激进参与。
Circulating Photomontage: The Appropriation of Soviet Visual Material by French Communist Networks, 1928–1936
Intended to promote the success of rapid industrialisation, especially at the time of the first Five-Year Plan (1928–32), Soviet photography was disseminated to other countries through the networks of the Communist International. The circulation of Soviet photographs in the press helped define a specifically communist visual culture, characterised by idiosyncratic visual tropes and graphic treatment of images through photomontage and dynamic page layout. This article highlights the role of graphic designers and illustrators in the development of political photomontage in France, particularly through periodicals associated with the Communist Party such as Regards and the Almanach ouvrier et paysan. These illustrated publications often borrowed their iconography and innovative page layout directly from Soviet magazines such as USSR in Construction. By showing how images have been appropriated and transformed, I suggest that communist editors in the early 1930s encouraged a type of militant participation that challenged individual authorship.
期刊介绍:
History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.