玛丽·巴顿的乌托邦幽灵

IF 0.5 2区 文学 0 LITERATURE STUDIES IN THE NOVEL Pub Date : 2023-09-01 DOI:10.1353/sdn.2023.a905801
Roberto del Valle Alcalá
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引用次数: 0

摘要

摘要:本文从罗伯特·欧文的思想,特别是其早期著作《新社会观》中对玛丽·巴顿的思想进行了实质性的重新诠释。文章认为,盖斯凯尔的小说对19世纪家长主义的变革可能性进行了重大的重新评估。根据雅克·德里达的作品,它还表明,像欧文这样的乌托邦思想家的改革主义愿望只能在维多利亚时代阶级冲突的背景下“幽灵般”地表达出来:也就是说,通过提出一种只有无可挽回的缺席才能实现和记录的存在。
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Specters of Utopia in Mary Barton
Abstract:This article offers a substantial reinterpretation of Mary Barton in terms of Robert Owen's ideas, especially as outlined in his early tract A New View of Society. The article contends that Gaskell's novel stages a significant reassessment of the transformative possibilities of nineteenth-century paternalism. It also suggests, drawing on the work of Jacques Derrida, that the reformist aspirations of a utopian thinker such as Owen can only be articulated "spectrally" in the context of Victorian class conflict: that is, by positing the kind of presence that only an irremediable absence can enable and register.
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来源期刊
STUDIES IN THE NOVEL
STUDIES IN THE NOVEL LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
28
期刊介绍: From its inception, Studies in the Novel has been dedicated to building a scholarly community around the world-making potentialities of the novel. Studies in the Novel started as an idea among several members of the English Department of the University of North Texas during the summer of 1965. They determined that there was a need for a journal “devoted to publishing critical and scholarly articles on the novel with no restrictions on either chronology or nationality of the novelists studied.” The founding editor, University of North Texas professor of contemporary literature James W. Lee, envisioned a journal of international scope and influence. Since then, Studies in the Novel has staked its reputation upon publishing incisive scholarship on the canon-forming and cutting-edge novelists that have shaped the genre’s rich history. The journal continues to break new ground by promoting new theoretical approaches, a broader international scope, and an engagement with the contemporary novel as a form of social critique.
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