解散帕特森的临床管理局

IF 0.1 N/A POETRY WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2017-12-02 DOI:10.1353/WCW.2017.0009
Alisa Allkins
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引用次数: 1

摘要

本文探讨了威廉姆斯的现代主义史诗《帕特森》中以“克雷斯”字母为代表的威廉·卡洛斯·威廉姆斯和玛西娅·纳尔迪之间的关系如何挑战临床实践中建立的医生/患者和正常/病理二元关系。它认为,帕特森的混合结构所创造的男性和女性之间的辩证张力与西格蒙德·弗洛伊德和雅克·拉康关于女性气质的精神分析著作相呼应,他们阅读了与米歇尔·福柯在《事物的秩序》中的档案理论有关的作品。
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Dismantling Clinical Authority in Paterson
This article explores how the relationship between William Carlos Williams and Marcia Nardi as represented by the "Cress" letters in Williams's modernist epic Paterson challenges the doctor/patient and normal/pathological binaries established by clinical practice. It argues that the dialectical tension between the masculine and feminine created by the hybrid construction of Paterson echoes psychoanalytic writings on femininity by Sigmund Freud and Jacques Lacan, reading the work in relationship to Michel Foucault's theory of the archive in The Order of Things .
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