摄影的前景:在一个冲突的视觉环境中,尺度、尺度和比例

IF 0.1 0 ART Philosophy of Photography Pub Date : 2021-10-01 DOI:10.1386/pop_00047_1
Andrew Fisher, A. Hennig, B. Behr, Danny Rubinstein, Martin Charvát, Peter Szendy, Tomáš Dvořák
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引用次数: 0

摘要

本次圆桌讨论基于于2021年9月17日举行的在线研讨会“摄影的前景:冲突视觉环境中的尺度、测量和比例”。从一开始,摄影就承诺将事物按比例设定,赋予它们尺度和比例,这一系列的承诺也包含了不理性或冲突的时刻,这些时刻持续存在并继续塑造着全球网络化数字成像技术的时代。研讨会从诊断开始,虽然摄影继续承诺一个有序,比例和测量的世界,在这个世界中,事物可以被设定为适当的规模,但它也在许多方面作为失调,不比例和不可扩展的代理。鉴于此,本次圆桌讨论探讨了尺度、测量和比例在摄影语境中产生的一系列不同含义,并着手探索概念框架和研究方法,通过这些框架和方法可以理解当前的情况。
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The promise of photography: Scale, measure and proportion in a conflicted visual milieu
This roundtable discussion is based on an online symposium – The Promise of Photography: Scale, Measure and Proportion in a Conflicted Visual Milieu – which took place on 17 September 2021. Since its inception, photography has promised to set things to scale, to grant them measure and proportion, a series of promises that have also entailed moments of irrationality or conflict that persist in and continue to shape the era of global networked digital imaging technologies. The symposium started out from the diagnosis that, whilst photography continues to promise an ordered, proportionate and measured world in which things can be set to their proper scale, it also acts in many ways as an agent of dismeasure, disproportion and the unscalable. In light of this, the roundtable discussion presented here examines a range of different meanings that scale, measure and proportion have accrued in the photographic context and sets out to explore conceptual frameworks and research methodologies through which the current situation might be understood.
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