Al Ahmad SyauqÉ(TahlÉ«liyah UslÅ«biyah总监)

Alif Cahya Setiyadi, Abdul Hafidz Zaid, Tyas Pradhita Astari
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引用次数: 0

摘要

本文旨在从声音或模式两个方面考察艾哈迈德·绍奇的《诺亚方舟》诗歌。作为阿拉伯小说流派史上的一部非凡作品,这种诗歌流派的主要特点是使用和选择能够影响读者或听众想象力的特殊节奏,从而建立他们自己的思维感知。本文着重运用现代文学分析方法,对声纹的特征进行描写性探索。通过对声谱的分析,得出这首现象诗的现代文学声谱研究有着基本的节奏和气象。基本节奏有两种变体,即内部节奏和外部节奏。外部节奏表现为诗歌中的al-wazn形式,包括两种主要类型,即bahr kïmil和bahr rajzi,使用的节奏结构和诗歌形式。另一方面,这首诗也使用了内部节奏,产生了修辞美(al-binyahal-badiyiyah),主要由al-jinõs和al-á。
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Al-Ẓawāhir Al-Ṣautiyah fi Qiṣṣah “Safīnah Al-Nūh” li Ahmad Syauqī (Dirāsah Tahlīliyah Uslūbiyah)
This article aims to examine the poetry of Noah's ark by Ahmad Syauqi from aspects of sound or patterns. As one of the phenomenal works in the history of The Arabic fiction genre, this genre of poetry has the main characteristics in terms of the use and selection of special rhythms that are able to influence the imagination of readers or listeners so as to build their own perception of thinking. This article focuses on exploring the characteristics of sound patterns descriptively with modern literary analysis methods. From the analysis of sound patterns, it is concluded that there are basic rhythms and metrums in the study of modern literary sounds of this phenomenal poem. There are two variants of fundamental rhythms, namely internal and external rhythms. The external rhythm is manifested in the form of al-wazn from poetry which includes two main types namely bahr kāmil and bahr rajzi, the structure of the rhythm used, and the form of poetry. On the other hand, the poem also uses internal rhythms by giving rise to the rhetorical beauty (al-binyah al-badi'iyah) which consists largely of al-jinās and al-ṭibāq.
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来源期刊
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发文量
9
审稿时长
24 weeks
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