{"title":"政治遗产纪念日:特性和空间在地图受到一个间谍Guillermo Cabrera的毛孩子","authors":"David Saldaña","doi":"10.19130/IIFL.AP.2021.1.888","DOIUrl":null,"url":null,"abstract":"This work addresses the way geographical space is represented in Mapa dibujado por un espía (2013) by Guillermo Cabrera Infante. Taking into account the notions of Wayne C. Booth and Walter Benjamin regarding the narrator and the role of literature in society, we analyze this formal aspect of the text, the focalization of which proposes a “true” plot. The cartography of La Havana is based on the experience of the Cuban revolutionary reality that contrasts radically with the memories of the capital in the 50s. The historical data and the perception of the protagonist are combined in order to trace his identity, which is a form of the author’s insertion in the text: politics and daily life converge in order to re-map a space in which traditional culture and revolutionary cultural control are contrasted.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Cartografías políticas del recuerdo: identidad y espacio en Mapa dibujado por un espía de Guillermo Cabrera Infante\",\"authors\":\"David Saldaña\",\"doi\":\"10.19130/IIFL.AP.2021.1.888\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This work addresses the way geographical space is represented in Mapa dibujado por un espía (2013) by Guillermo Cabrera Infante. Taking into account the notions of Wayne C. Booth and Walter Benjamin regarding the narrator and the role of literature in society, we analyze this formal aspect of the text, the focalization of which proposes a “true” plot. The cartography of La Havana is based on the experience of the Cuban revolutionary reality that contrasts radically with the memories of the capital in the 50s. The historical data and the perception of the protagonist are combined in order to trace his identity, which is a form of the author’s insertion in the text: politics and daily life converge in order to re-map a space in which traditional culture and revolutionary cultural control are contrasted.\",\"PeriodicalId\":42007,\"journal\":{\"name\":\"Acta Poetica\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-01-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Poetica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.19130/IIFL.AP.2021.1.888\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Poetica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19130/IIFL.AP.2021.1.888","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 1
摘要
该作品探讨了Guillermo Cabrera Infante在《Mapa dibujado por un espía》(2013)中地理空间的表现方式。考虑到韦恩·c·布斯(Wayne C. Booth)和沃尔特·本雅明(Walter Benjamin)关于叙述者和文学在社会中的作用的观点,我们分析了文本的这一形式方面,其重点提出了一个“真实”的情节。《哈瓦那》的制图是基于古巴革命现实的经验,与50年代首都的记忆形成鲜明对比。将历史资料与主人公的感知相结合,以追溯主人公的身份,这是作者在文本中插入的一种形式:政治与日常生活交汇,以重新映射一个传统文化与革命文化控制对比的空间。
Cartografías políticas del recuerdo: identidad y espacio en Mapa dibujado por un espía de Guillermo Cabrera Infante
This work addresses the way geographical space is represented in Mapa dibujado por un espía (2013) by Guillermo Cabrera Infante. Taking into account the notions of Wayne C. Booth and Walter Benjamin regarding the narrator and the role of literature in society, we analyze this formal aspect of the text, the focalization of which proposes a “true” plot. The cartography of La Havana is based on the experience of the Cuban revolutionary reality that contrasts radically with the memories of the capital in the 50s. The historical data and the perception of the protagonist are combined in order to trace his identity, which is a form of the author’s insertion in the text: politics and daily life converge in order to re-map a space in which traditional culture and revolutionary cultural control are contrasted.
期刊介绍:
Acta Poética es una revista semestral, arbitrada y de acceso abierto (open-access), que publica artículos, notas, entrevistas y reseñas originales y traducidas, escritas principalmente en español y otras lenguas. Nuestra publicación pertenece al Centro de Poética del Instituto de Investigaciones Filológicas de la Universidad Nacional Autónoma de México. El propósito de Acta Poética es ofrecer una plataforma intelectual para los estudiosos de instituciones nacionales y extranjeras y, con ello, aportar reflexiones sustantivas al estudio de la literatura, la crítica literaria y la teoría crítica, sobre aspectos de la literatura y otras expresiones culturales. Nuestra revista está dirigida a estudiosos de la literatura y otras disciplinas relacionadas con arte, cultura y sociedad. El contenido de Acta Poética refleja la diversidad de las líneas de investigación del Centro de Poética, en el marco inter y multidisciplinario de la teoría crítica: mito, semántica, semiótica, deconstrucción, artes visuales, retórica, poética, teoría de la recepción, hermenéutica, crítica literaria, literatura comparada, estudios culturales, misticismo, filología, el impacto de las nuevas tecnologías en el discurso, historia de la literatura, cine, fotografía, arquitectura, artes escénicas, música y su relación con otras disciplinas como la filosofía, la historia, la sociología y la teoría política. Actualmente, la revista se publica en formato impreso y digital.