{"title":"活编码全球超器官:不确定的地方的段落环境","authors":"Mattias Petersson","doi":"10.1017/S1355771823000377","DOIUrl":null,"url":null,"abstract":"This article presents several scenarios in which a live coding environment called Paragraph was utilised to telematically play networked and geographically distributed hyperorgans. Situated within the framework of the Global Hyperorgan project, the TCP/Indeterminate Place Quartet have explored the affordances of the organ network through the concept of Tele-Copresence. By outsourcing certain dimensions of the parameter space of the Paragraph language to other members of the quartet, a shared instrumentality is enabled, where the organs are collaboratively controlled by means of this system. Rooted in a personal composer-performer practice and studied from the perspective of the live coder, the Paragraph system, adapted to the TCP/Indeterminate Place environment, can be understood as a modular system of human and non-human agents, into which the other musicians are patched. The distributed parameter space utilised, thus resembles a shared cantus firmus, a foundational, but dynamically changing, ecology for the live coder to play within.","PeriodicalId":45145,"journal":{"name":"Organised Sound","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place\",\"authors\":\"Mattias Petersson\",\"doi\":\"10.1017/S1355771823000377\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article presents several scenarios in which a live coding environment called Paragraph was utilised to telematically play networked and geographically distributed hyperorgans. Situated within the framework of the Global Hyperorgan project, the TCP/Indeterminate Place Quartet have explored the affordances of the organ network through the concept of Tele-Copresence. By outsourcing certain dimensions of the parameter space of the Paragraph language to other members of the quartet, a shared instrumentality is enabled, where the organs are collaboratively controlled by means of this system. Rooted in a personal composer-performer practice and studied from the perspective of the live coder, the Paragraph system, adapted to the TCP/Indeterminate Place environment, can be understood as a modular system of human and non-human agents, into which the other musicians are patched. The distributed parameter space utilised, thus resembles a shared cantus firmus, a foundational, but dynamically changing, ecology for the live coder to play within.\",\"PeriodicalId\":45145,\"journal\":{\"name\":\"Organised Sound\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Organised Sound\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S1355771823000377\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Organised Sound","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S1355771823000377","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place
This article presents several scenarios in which a live coding environment called Paragraph was utilised to telematically play networked and geographically distributed hyperorgans. Situated within the framework of the Global Hyperorgan project, the TCP/Indeterminate Place Quartet have explored the affordances of the organ network through the concept of Tele-Copresence. By outsourcing certain dimensions of the parameter space of the Paragraph language to other members of the quartet, a shared instrumentality is enabled, where the organs are collaboratively controlled by means of this system. Rooted in a personal composer-performer practice and studied from the perspective of the live coder, the Paragraph system, adapted to the TCP/Indeterminate Place environment, can be understood as a modular system of human and non-human agents, into which the other musicians are patched. The distributed parameter space utilised, thus resembles a shared cantus firmus, a foundational, but dynamically changing, ecology for the live coder to play within.