建筑史与塔斯曼殖民地世界的物质地理

IF 0.2 4区 艺术学 0 ARCHITECTURE Architectural Theory Review Pub Date : 2021-05-04 DOI:10.1080/13264826.2021.1932825
Stuart King, A. Leach
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引用次数: 0

摘要

摘要一部建筑史,将材料置于建筑师和其他采购和设计代理人的意图之上,将作品及其生产手段置于与既定地理位置不一致的领域。根据最近一系列与塔斯曼世界的建筑历史以及采掘业和“灰色”建筑的相互作用有关的工作,本文反思了优先考虑特定行业而不是习惯的历史框架的概念利害关系。木材作为一种受贸易变迁影响的提取资源,以及作为一种建筑材料,部署在紧邻森林的环境中,距离其原产地很远,这两种地位都暴露了一种关注历史事件和历史必然从中汲取的图像的建筑史形式的复杂性。这篇论文回应了Mark Crinson提出的一项旨在解决这一复杂性的建议,认为在殖民地塔斯曼世界的特定背景下,木材的建筑历史可能会提供一个有用的测试。
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Architectural History and the Material Geographies of the Colonial Tasman World
Abstract An architectural history that foregrounds materials over the intentions of the architects and other agents of procurement and design places works and the means of their production into fields that do not map neatly on to established geographies. Drawing on a recent body of work concerned with those architectural histories of the Tasman world and the interplay of extractive industries and “grey” architecture, this paper reflects on the conceptual stakes of prioritising specific industries over habitual historiographical frames. Timber’s dual standing as an extracted resource subject to the vicissitudes of trade, and as a building material deployed in settings immediately adjacent to forests and at significant distances from its point of origin, exposes the complexity of a form of architectural history attentive to historical events and the images history necessarily draws from them. The paper responds to a proposal by Mark Crinson intended to address this complexity, suggesting that an architectural history of timber in the specific setting of the colonial Tasman world may offer a useful test.
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CiteScore
0.30
自引率
0.00%
发文量
17
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