Book Review: Art Work: Invisible Labour and the Legacy of Yugoslav Socialism

missing. This seems related to a methodological limitation scrupulously acknowledged by the author: interviews were realised in the Japanese language by a foreigner and nonmusician researcher, aware of the limited confidence and trust deriving from one-time encounters: ‘Issues that I felt could be considered offensive or potentially uncomfortable, especially matters concerning finances, class origins or family matters . . . were skipped altogether unless raised voluntarily by my interviewees’ (p. 36). Overall, the book represents a well-informed and challenging contribution to those debates exploring the multilayered and intersectional nature of inequalities in artistic worlds, significantly affecting artists’ personal and professional lives.