{"title":"与星条旗共舞:波普的观赏性舞蹈。我的饰品","authors":"J. Dellecave","doi":"10.1080/01472526.2022.2064697","DOIUrl":null,"url":null,"abstract":"abstract Pope.L’s art exhibition Trinket (2015) featured an installation of an oversized US flag blown by high-powered wind machines. The artwork generated a choreography among viewers who inadvertently danced with the US flag, reversing fraught dynamics surrounding visibility and spectatorship for work by Black artists. Trinket called upon spectators to feel into sensation, rather than adopt a mode of distanced, disembodied interpretation. Informed by embodied racial justice activist Resmaa Menakem, I argue that Pope.L’s Trinket connected viewers with somatic experience, enabling them to grapple with ongoing structural racism in the United States.","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"45 1","pages":"117 - 130"},"PeriodicalIF":0.1000,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dancing with the Stars and Stripes: Sensation as Spectatorial Choreography in Pope.L’s Trinket\",\"authors\":\"J. Dellecave\",\"doi\":\"10.1080/01472526.2022.2064697\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract Pope.L’s art exhibition Trinket (2015) featured an installation of an oversized US flag blown by high-powered wind machines. The artwork generated a choreography among viewers who inadvertently danced with the US flag, reversing fraught dynamics surrounding visibility and spectatorship for work by Black artists. Trinket called upon spectators to feel into sensation, rather than adopt a mode of distanced, disembodied interpretation. Informed by embodied racial justice activist Resmaa Menakem, I argue that Pope.L’s Trinket connected viewers with somatic experience, enabling them to grapple with ongoing structural racism in the United States.\",\"PeriodicalId\":42141,\"journal\":{\"name\":\"DANCE CHRONICLE\",\"volume\":\"45 1\",\"pages\":\"117 - 130\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DANCE CHRONICLE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01472526.2022.2064697\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"DANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DANCE CHRONICLE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01472526.2022.2064697","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
Dancing with the Stars and Stripes: Sensation as Spectatorial Choreography in Pope.L’s Trinket
abstract Pope.L’s art exhibition Trinket (2015) featured an installation of an oversized US flag blown by high-powered wind machines. The artwork generated a choreography among viewers who inadvertently danced with the US flag, reversing fraught dynamics surrounding visibility and spectatorship for work by Black artists. Trinket called upon spectators to feel into sensation, rather than adopt a mode of distanced, disembodied interpretation. Informed by embodied racial justice activist Resmaa Menakem, I argue that Pope.L’s Trinket connected viewers with somatic experience, enabling them to grapple with ongoing structural racism in the United States.
期刊介绍：
For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.
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