{"title":"演员双重意识与创造性想象","authors":"Yuchen Guo","doi":"10.4013/fsu.2022.233.03","DOIUrl":null,"url":null,"abstract":"\n\n\nMany actors report a form of dual-consciousness when playing roles on stage: they react to the given circumstances as their characters would do, but they do not forget they are on the stage. This paper analyzes the concept of dual-consciousness and argues that actor dual-consciousness results from the actor’s imaginings, which both recreate the experience of the character and inform the actor about the non-reality of the experience.\nKeywords: Acting, actor, dual-consciousness, recreative imagination, experiential identification.\n\n\n","PeriodicalId":41989,"journal":{"name":"Filosofia Unisinos","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Actor Dual-Consciousness and Recreative Imagination\",\"authors\":\"Yuchen Guo\",\"doi\":\"10.4013/fsu.2022.233.03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n\\n\\nMany actors report a form of dual-consciousness when playing roles on stage: they react to the given circumstances as their characters would do, but they do not forget they are on the stage. This paper analyzes the concept of dual-consciousness and argues that actor dual-consciousness results from the actor’s imaginings, which both recreate the experience of the character and inform the actor about the non-reality of the experience.\\nKeywords: Acting, actor, dual-consciousness, recreative imagination, experiential identification.\\n\\n\\n\",\"PeriodicalId\":41989,\"journal\":{\"name\":\"Filosofia Unisinos\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-11-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Filosofia Unisinos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4013/fsu.2022.233.03\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Filosofia Unisinos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4013/fsu.2022.233.03","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
Actor Dual-Consciousness and Recreative Imagination
Many actors report a form of dual-consciousness when playing roles on stage: they react to the given circumstances as their characters would do, but they do not forget they are on the stage. This paper analyzes the concept of dual-consciousness and argues that actor dual-consciousness results from the actor’s imaginings, which both recreate the experience of the character and inform the actor about the non-reality of the experience.
Keywords: Acting, actor, dual-consciousness, recreative imagination, experiential identification.