推特作者:陶林在推特上的权威身份表现

Q2 Arts and Humanities Authorship Pub Date : 2018-07-16 DOI:10.21825/AJ.V7I1.8618
Justin Greene
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引用次数: 1

摘要

本文将深入探讨美国作家陶林如何利用Twitter来表现自己的作者身份。推特是林塑造和重塑他作为作家的公众形象的主要平台。林的推特就像作家自我展示的140字爆发。他选择发布的推文,结合他在推特这个呈现平台上的观点,表明他意识到自己的身份表现,尤其是在网上。有了这些知识,他使用推特的语言来制定他的作者身份,并影响在文学界流传的表征,但由于印刷媒体在作者形象方面的主导作用,他做得不够。为了抵消这一点,并为他在文学界的网络身份获得文化合法性,林诉诸于将他的推特个人资料修复为一本被偶像化的纸质书。林与推特的暧昧关系向他的观众表明,这个平台不仅仅是一个吸引人们关注的地方;它是一个大规模不断重塑身份的场所。
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Tweeting the Author: Tao Lin’s Performance of Authorial Identity on Twitter
This article takes a closer look at how the American author Tao Lin uses Twitter to perform his authorial identity. Twitter serves as a primary platform for Lin to shape and reshape the public images of him as an author. Lin’s Twitter presence operates as 140-character bursts of authorial self-presentation. The tweets he chooses to post combined with his views on Twitter as a presentational platform show that Lin is conscious of his identity performance, especially online. With this knowledge, he uses the language of Twitter to enact his authorial identity and influence the representations that circulate in the literary world, but he fell short because of the dominant role print media play in images of authorship. To counteract this and gain cultural legitimacy for his online identity in the literary world, Lin resorts to remediating his Twitter profiles into a fetishized print book. Lin’s coquettish relationship with Twitter shows his audience that the platform is more than a place to generate attention for oneself; it is a site for the continual reshaping of identity on a mass scale.
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来源期刊
CiteScore
0.20
自引率
0.00%
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0
审稿时长
24 weeks
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