当代艺术的合法化过程:英国青年艺术家现象

IF 1.5 Q1 CULTURAL STUDIES Journal for Cultural Research Pub Date : 2021-03-10 DOI:10.1080/14797585.2021.1898912
Pablo Navazo-Ostúa, Eva Aladro-Vico, Olga Bailey
{"title":"当代艺术的合法化过程:英国青年艺术家现象","authors":"Pablo Navazo-Ostúa, Eva Aladro-Vico, Olga Bailey","doi":"10.1080/14797585.2021.1898912","DOIUrl":null,"url":null,"abstract":"ABSTRACT The Young British Artists (YBAs) was a generation that incorporated elements from media, advertising and cultural industry into the art world in the late 20th century. Based on a case study of the group and the distinctive phases of its meteoric trajectory, we analyse the circumstances and agents involved in the processes of legitimisation in contemporary art. As an instrumental tool, we use the model presented by Alan Bowness in his publication, which outlines the process that allows artists to access certain social recognition. This outline provides us with a model of reference upon which to reconstruct the pattern of the YBAs trajectory to determine the sociocultural circumstances surrounding the media phenomenon. These results also correct and modify certain aspects of Bowness’ model to adapt it to the current socioeconomic context that sustains the processes of legitimisation of art today.","PeriodicalId":44587,"journal":{"name":"Journal for Cultural Research","volume":null,"pages":null},"PeriodicalIF":1.5000,"publicationDate":"2021-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14797585.2021.1898912","citationCount":"0","resultStr":"{\"title\":\"Processes of legitimization in contemporary Art: the young British Artists phenomenon\",\"authors\":\"Pablo Navazo-Ostúa, Eva Aladro-Vico, Olga Bailey\",\"doi\":\"10.1080/14797585.2021.1898912\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT The Young British Artists (YBAs) was a generation that incorporated elements from media, advertising and cultural industry into the art world in the late 20th century. Based on a case study of the group and the distinctive phases of its meteoric trajectory, we analyse the circumstances and agents involved in the processes of legitimisation in contemporary art. As an instrumental tool, we use the model presented by Alan Bowness in his publication, which outlines the process that allows artists to access certain social recognition. This outline provides us with a model of reference upon which to reconstruct the pattern of the YBAs trajectory to determine the sociocultural circumstances surrounding the media phenomenon. These results also correct and modify certain aspects of Bowness’ model to adapt it to the current socioeconomic context that sustains the processes of legitimisation of art today.\",\"PeriodicalId\":44587,\"journal\":{\"name\":\"Journal for Cultural Research\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.5000,\"publicationDate\":\"2021-03-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/14797585.2021.1898912\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal for Cultural Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14797585.2021.1898912\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal for Cultural Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14797585.2021.1898912","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0

摘要

英国青年艺术家(YBAs)是20世纪末将媒体、广告和文化产业的元素融入艺术世界的一代人。基于对该团体的个案研究及其发展轨迹的不同阶段,我们分析了当代艺术合法化过程中所涉及的环境和代理人。作为一种工具,我们使用Alan Bowness在他的出版物中提出的模型,该模型概述了允许艺术家获得一定社会认可的过程。这一概述为我们提供了一个参考模型,在此基础上,我们可以重构YBAs的轨迹模式,从而确定围绕媒介现象的社会文化环境。这些结果也纠正和修改了Bowness模型的某些方面,使其适应当前维持艺术合法化进程的社会经济背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Processes of legitimization in contemporary Art: the young British Artists phenomenon
ABSTRACT The Young British Artists (YBAs) was a generation that incorporated elements from media, advertising and cultural industry into the art world in the late 20th century. Based on a case study of the group and the distinctive phases of its meteoric trajectory, we analyse the circumstances and agents involved in the processes of legitimisation in contemporary art. As an instrumental tool, we use the model presented by Alan Bowness in his publication, which outlines the process that allows artists to access certain social recognition. This outline provides us with a model of reference upon which to reconstruct the pattern of the YBAs trajectory to determine the sociocultural circumstances surrounding the media phenomenon. These results also correct and modify certain aspects of Bowness’ model to adapt it to the current socioeconomic context that sustains the processes of legitimisation of art today.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Journal for Cultural Research
Journal for Cultural Research CULTURAL STUDIES-
CiteScore
1.40
自引率
0.00%
发文量
23
期刊介绍: JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.
期刊最新文献
“Trauma scrambles things, trauma fragments…” A cross-cultural conversation with Corban Addison in the context of A Walk Across the Sun Revolutionary women, body, and the limits of nationalist ideology in colonial Bengal: re-reading the memoirs of Bina Das and Kamala Dasgupta Re-membering plant personhood: syntropic entanglements between Indigenous Naga vegetal ethos and Critical Plant Studies in Temsula Ao’s The Tombstone in My Garden The internalisation of cruelty: Nietzsche, Dostoevsky, Masoch Dealing with fear: what dangers do incantations ward off?
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1