{"title":"海滩上的普鲁斯特","authors":"hannah freed-thall","doi":"10.3366/para.2022.0388","DOIUrl":null,"url":null,"abstract":"What becomes visible when we consider À la recherche du temps perdu from the vantage point of the beach? This article contends that Proust's beach resort, Balbec, stages a reconfiguration of social ritual and corporeal style. Balbec is both an enormous casino and the ‘springboard’ for a loosely scripted, habit-disrupting social choreography. In contrast to both the aristocratic salons of Paris and the bourgeois family nucleus that characterizes Combray, Proust's beach is an improvisatory space. As such, it facilitates place-based, contingent (rather than congenital) forms of queer movement and desire.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Proust on the Beach\",\"authors\":\"hannah freed-thall\",\"doi\":\"10.3366/para.2022.0388\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"What becomes visible when we consider À la recherche du temps perdu from the vantage point of the beach? This article contends that Proust's beach resort, Balbec, stages a reconfiguration of social ritual and corporeal style. Balbec is both an enormous casino and the ‘springboard’ for a loosely scripted, habit-disrupting social choreography. In contrast to both the aristocratic salons of Paris and the bourgeois family nucleus that characterizes Combray, Proust's beach is an improvisatory space. As such, it facilitates place-based, contingent (rather than congenital) forms of queer movement and desire.\",\"PeriodicalId\":44142,\"journal\":{\"name\":\"PARAGRAPH\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"PARAGRAPH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/para.2022.0388\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"PARAGRAPH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/para.2022.0388","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
What becomes visible when we consider À la recherche du temps perdu from the vantage point of the beach? This article contends that Proust's beach resort, Balbec, stages a reconfiguration of social ritual and corporeal style. Balbec is both an enormous casino and the ‘springboard’ for a loosely scripted, habit-disrupting social choreography. In contrast to both the aristocratic salons of Paris and the bourgeois family nucleus that characterizes Combray, Proust's beach is an improvisatory space. As such, it facilitates place-based, contingent (rather than congenital) forms of queer movement and desire.
期刊介绍:
Founded in 1983, Paragraph is a leading journal in modern critical theory. It publishes essays and review articles in English which explore critical theory in general and its application to literature, other arts and society. Regular special issues by guest editors highlight important themes and figures in modern critical theory.