{"title":"普鲁斯特的胡言乱语:部分分类学","authors":"Elisabeth Ladenson","doi":"10.3366/para.2022.0383","DOIUrl":null,"url":null,"abstract":"This article presents a catalogue of some of the ways in which Proust's novel fails to make sense. The major categories of non-sense examined here are: minor inconsistencies due to the unfinished quality of the work; chronological incoherences; and inconsistent distinctions between narrator and author, with particular attention to textual entailments of the differences between the author and his semi-autobiographical narrator in terms of homosexuality, Jewishness and snobbery.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Proustian Nonsense: A Partial Taxonomy\",\"authors\":\"Elisabeth Ladenson\",\"doi\":\"10.3366/para.2022.0383\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article presents a catalogue of some of the ways in which Proust's novel fails to make sense. The major categories of non-sense examined here are: minor inconsistencies due to the unfinished quality of the work; chronological incoherences; and inconsistent distinctions between narrator and author, with particular attention to textual entailments of the differences between the author and his semi-autobiographical narrator in terms of homosexuality, Jewishness and snobbery.\",\"PeriodicalId\":44142,\"journal\":{\"name\":\"PARAGRAPH\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"PARAGRAPH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/para.2022.0383\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"PARAGRAPH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/para.2022.0383","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
This article presents a catalogue of some of the ways in which Proust's novel fails to make sense. The major categories of non-sense examined here are: minor inconsistencies due to the unfinished quality of the work; chronological incoherences; and inconsistent distinctions between narrator and author, with particular attention to textual entailments of the differences between the author and his semi-autobiographical narrator in terms of homosexuality, Jewishness and snobbery.
期刊介绍：
Founded in 1983, Paragraph is a leading journal in modern critical theory. It publishes essays and review articles in English which explore critical theory in general and its application to literature, other arts and society. Regular special issues by guest editors highlight important themes and figures in modern critical theory.
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