{"title":"超越共和国英雄和帝国摄影师。波菲里奥·迪亚兹与摄影","authors":"Arturo Aguilar Ochoa","doi":"10.24310/FOTOCINEMA.2021.VI22.11639","DOIUrl":null,"url":null,"abstract":"After just over five years of fighting the French Intervention, the Habsburg Emperor Maximilian was finally defeated and shot in the medians of Cerro de las Campanas in Queretaro in 1867. The Republic returned triumphant, and its architects began to glimpse new positions of power, such was the case of General Porfirio Diaz, who feeling worthy of the triumph, more than President Benito Juarez, saw in the photograph the possibility of spreading his image among the people, and thus gaining followers in the future electoral contest. The Oaxacan general resorted to the services of the most famous photographers of the moment, such as Frenchman Francois Aubert, who gladly responded to the request. Then, the present work has the purpose of analyzing the historical context in which Diaz went to the studios to have his portrait taken. It also explores Aubert's activity as a photographer in Mexico, his time at the court of Maximiliano, his trip to Queretaro to document the fall of the empire and his return to the capital to witness the entry of Juarez and put himself at the service of Porfirio Diaz.","PeriodicalId":40899,"journal":{"name":"Fotocinema-Revista Cientifica de Cine y Fotografia","volume":"1 1","pages":"23-48"},"PeriodicalIF":0.2000,"publicationDate":"2021-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mirando más allá al héroe de la república y al fotógrafo del imperio. Porfirio Díaz y la fotografía\",\"authors\":\"Arturo Aguilar Ochoa\",\"doi\":\"10.24310/FOTOCINEMA.2021.VI22.11639\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"After just over five years of fighting the French Intervention, the Habsburg Emperor Maximilian was finally defeated and shot in the medians of Cerro de las Campanas in Queretaro in 1867. The Republic returned triumphant, and its architects began to glimpse new positions of power, such was the case of General Porfirio Diaz, who feeling worthy of the triumph, more than President Benito Juarez, saw in the photograph the possibility of spreading his image among the people, and thus gaining followers in the future electoral contest. The Oaxacan general resorted to the services of the most famous photographers of the moment, such as Frenchman Francois Aubert, who gladly responded to the request. Then, the present work has the purpose of analyzing the historical context in which Diaz went to the studios to have his portrait taken. It also explores Aubert's activity as a photographer in Mexico, his time at the court of Maximiliano, his trip to Queretaro to document the fall of the empire and his return to the capital to witness the entry of Juarez and put himself at the service of Porfirio Diaz.\",\"PeriodicalId\":40899,\"journal\":{\"name\":\"Fotocinema-Revista Cientifica de Cine y Fotografia\",\"volume\":\"1 1\",\"pages\":\"23-48\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-01-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Fotocinema-Revista Cientifica de Cine y Fotografia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24310/FOTOCINEMA.2021.VI22.11639\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Fotocinema-Revista Cientifica de Cine y Fotografia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24310/FOTOCINEMA.2021.VI22.11639","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
经过短短五年多的法国干涉,哈布斯堡皇帝马克西米利安最终被击败,并于1867年在克雷塔罗的Cerro de las Campanas中部被枪杀。共和国胜利归来,它的缔造者开始看到新的权力位置,例如波菲里奥·迪亚兹将军,他觉得自己比贝尼托·华雷斯总统更值得胜利,他在这张照片中看到了在人民中传播自己形象的可能性,从而在未来的选举中赢得追随者。这位瓦哈卡将军求助于当时最著名的摄影师,比如法国人弗朗索瓦·奥贝尔(Francois Aubert),后者欣然答应了他的请求。然后,本作品的目的是分析迪亚兹去工作室拍摄他的肖像的历史背景。它还探讨了奥伯特作为一名摄影师在墨西哥的活动,他在马克西米利亚诺宫廷的时光,他去克雷塔罗记录帝国的衰落,以及他回到首都见证华雷斯的进入,并为波菲里奥·迪亚兹服务。
Mirando más allá al héroe de la república y al fotógrafo del imperio. Porfirio Díaz y la fotografía
After just over five years of fighting the French Intervention, the Habsburg Emperor Maximilian was finally defeated and shot in the medians of Cerro de las Campanas in Queretaro in 1867. The Republic returned triumphant, and its architects began to glimpse new positions of power, such was the case of General Porfirio Diaz, who feeling worthy of the triumph, more than President Benito Juarez, saw in the photograph the possibility of spreading his image among the people, and thus gaining followers in the future electoral contest. The Oaxacan general resorted to the services of the most famous photographers of the moment, such as Frenchman Francois Aubert, who gladly responded to the request. Then, the present work has the purpose of analyzing the historical context in which Diaz went to the studios to have his portrait taken. It also explores Aubert's activity as a photographer in Mexico, his time at the court of Maximiliano, his trip to Queretaro to document the fall of the empire and his return to the capital to witness the entry of Juarez and put himself at the service of Porfirio Diaz.