内部的突变:新媒体体制下的政治

IF 0.3 0 ASIAN STUDIES South Asian Popular Culture Pub Date : 2022-01-02 DOI:10.1080/14746689.2022.2047461
Jenson Joseph
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引用次数: 0

摘要

本文以马来亚拉姆保守派杂志《Grihalakshmi》2018年3月封面引发的争议为例,反思早期公私区分崩溃的含义。虽然杂志封面来自印刷媒体领域,代表了旧媒体制度的价值观和传统,但我认为它可以被理解为对互联网和社交媒体的流行实践破坏了我们习以为常的公共、私人和政治概念的一致性的过程的回应。我建议我们可以尝试通过依赖于两个正在进行的过程的理论框架来理解当代:a)新媒体的普及,b)后工业经济向以前被认为是再生和/或非生产性领域的扩张。
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Mutations of the interior: The political in the new media regime
ABSTRACT The article uses the controversy around the March 2018 cover of the conservative Malayalam magazine Grihalakshmi to reflect on the implications of the collapse of the earlier distinctions between the public and the private. Though the magazine cover comes from the field of print media, representing the values and traditions of the old media regime, I argue that it can be understood as a response to the processes through which popular practices of the internet and social media have destabilized the coherence around the notions of the public, the private and the political that we have come to take for granted. I propose that we could try to make sense of the contemporary by relying on theoretical frameworks that engage with two ongoing processes: a) new media’s popularity, and b) the post-industrial economy’s expansion into the domains previously considered as reproductive and/or unproductive.
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
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