论数字语境下的叙事层次理论及其注释

Q1 Arts and Humanities Journal of Cultural Analytics Pub Date : 2021-12-13 DOI:10.22148/001c.30700
Nora Ketschik, Benjamin Krautter, Sandra Murr, Yvonne Zimmermann
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引用次数: 0

摘要

这篇文章是在2019年作为初稿出版的《通过注释分析叙事层次的共享任务》(“SANTA”)的背景下撰写的。这一修订版本是基于对“叙事层次”这一叙事学概念形式化的进一步讨论。本文首先讨论文学研究中的叙事层次理论,然后推导出叙事层次识别的特征,最后提出叙事层次注释的指导原则。理论工作的一个重要发现是将“叙事层面”的概念与叙述者联系起来。通过识别不同类型的叙述者,我们能够列举和分类叙事文本中出现新层次的不同场景。因此,本文不再局限于典型案例,而是涉及罕见和有问题的案例。总的来说,我们的目标是提供对叙事层面的理论反思,并为其识别创造准确的指导方针。事实证明,通过注释来接近这种现象的方法是非常富有成效的,特别是在确定叙事层次的边界方面。
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On the Theory of Narrative Levels and Their Annotation in the Digital Context
The article was written in the context of a Shared Task on the Analysis of Narrative levels Through Annotation (“SANTA”) which was published as a first draft in 2019. This revised version is based on further discussion on the formalization of the narratological concept of ‘narrative level.’ We firstly discuss the theory of narrative levels in literary studies, secondly derive features for the identification of narrative levels and finally develop guidelines for their annotation. An essential finding of the theoreticalworkliesinconnectingtheconceptof‘narrativelevel’tothenarrator. Byidentifyingdifferenttypesofnarrators,we are able to enumerate and categorize different scenarios for the emergence of new levels in narrative texts. Hereby, the article does not remain restricted to prototypical cases, but also deals with rare and problematic cases. Overall, our goal is to provide a theoretical reflection on narrative levels and to create accurate guidelines for its recognition. The method of approaching the phenomenon through annotation has proven to be extremely fruitful particularly in identifying the boundaries of the narrative levels.
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来源期刊
Journal of Cultural Analytics
Journal of Cultural Analytics Arts and Humanities-Literature and Literary Theory
CiteScore
2.90
自引率
0.00%
发文量
9
审稿时长
10 weeks
期刊最新文献
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