流动中的档案:材料和地理历史的扩散叙事

IF 0.2 N/A ART Anales de Historia del Arte Pub Date : 2022-07-15 DOI:10.5209/anha.83117
Arash Dehghani, Sanskriti Chattopadhyay
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引用次数: 0

摘要

从当前世界政治动荡局势所产生的社会政治紧迫性中出现,本文将档案是什么这个古老的问题带到了前面。这篇文章跨越了阿克希翁的思想史和一个令人生畏的、有凝聚力的建筑的霸权结构,它反映了创造它的单一专制权力的意识形态,探讨了档案结构中存在的平行权力结构,同时呈现了它的结构并被它所呈现。从单一性的权力位置到这种使档案结构流动的多重交换的转变将通过某些杰出的当代档案艺术实践来研究。本文提出了归档的拓扑结构,有别于将归档作为一个位置、一个容器来研究。在这个图式中,档案艺术实践既不是档案的外部元素,也不是在话语中获得意义的独立实践,而是档案在其多样性中制定的视界中的基本元素。在这样做的过程中,本文将努力实现档案结构的不确定性,在这种结构中,它既不只是档案话语中确定事项的整合,也不作为迄今为止未知或未被承认的文件在博物馆这样的新容器中的住所。离开话语导向和物质导向的路径,行动作为档案存在背后的决定因素进行讨论。因此,对最初提出的“档案是什么”这个问题的答案的探索,可能只能通过关注档案的功能来考虑,因为功能将作为其创造和维持的关键进行进一步探索。
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Archive in Flux: A Diffused Narrative of Material and Geo-History
Emerging from a socio-political urgency resultant from the current volatile situation of world politics, this article brings to the fore the age-old question of what an archive is. Spanning through the intellectual history of arkheion and the hegemonic structure of a daunting, cohesive building that reflects the ideologies of a singular authoritarian power that created it, this article explores the parallel structures of power that exist within the archival structure, at the same time rendering its structure and being rendered by it. The shift from the unidimensional power positions to this multiplicity of exchanges that make the archival structure fluid will be studied through certain eminent contemporary archival art practices. This article proposes a topology of the archive, as a departure from studying the archive as a location, a container. The archival art practices, in this schema, are neither an external element to the archive nor a separate practice gaining meaning in discourses, but an essential element in the horizons of what the archives enact in their multiplicity. In doing so, this article will strive towards an indeterminacy of the structure of the archive, where it functions neither as a mere integration of a determinate matter in the archive discourse nor as a domiciliation of the hitherto unknown or unacknowledged documents in a new container like a museum. Leaving the discourse-oriented and material-oriented path, the action of doing will be discussed as the determinate factor behind the existence of the archive. Hence, the search for the answer to the question initially introduced, what an archive is, may only be contemplated by focusing on how archives function, as the function will be explored further as the key to its creation and sustenance.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
1
审稿时长
9 weeks
期刊最新文献
The Artist in the Desert. Agnes Martin: Notes on Art and Solitude Contemplando las flores amarillas: la construcción de la imagen del artista en dos obras de Shi Tao Juan Jesús López-Guadalupe Muñoz, Adrián Contreras Guerrero y José Antonio Díaz Gómez, (eds.). Mecenazgo, ostentación, identidad. Estudios sobre el Barroco Hispánico. Granada: Universidad de Granada, 2021, 498 pp. Patológicos, enamorados y redimidos. Imágenes del artista en el cine de Wes Anderson Sally Faulkner. Un cine contradictorio. Ocho filmes españoles de la década de 1960. Madrid: Iberoamericana-Vervuert, 2022, 358 pp.
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