{"title":"《罗丹在美国:面对现代","authors":"Jonathan P. Ribner","doi":"10.29411/ncaw.2022.21.3.29","DOIUrl":null,"url":null,"abstract":"flows of matter and energy around us—between intuition and analysis, randomness and order, the quotidian and the cosmic. The large-format, abstract paintings of Tomm El-Saieh (b. 1984, Port-au-Prince; lives and works in Miami) teem with dense and dynamic marks that evoke ornament, language, and architecture. By variously layering and erasing his linework and using vibrant color to optically push or pull his pictures, El-Saieh creates rhythmic, all-over compositions from which larger forms appear to emerge—testing both the limits of perception and expectations about abstraction. more divergent Haitian artistic Free.","PeriodicalId":32895,"journal":{"name":"NineteenthCentury Art Worldwide","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rodin in the United States: Confronting the Modern\",\"authors\":\"Jonathan P. Ribner\",\"doi\":\"10.29411/ncaw.2022.21.3.29\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"flows of matter and energy around us—between intuition and analysis, randomness and order, the quotidian and the cosmic. The large-format, abstract paintings of Tomm El-Saieh (b. 1984, Port-au-Prince; lives and works in Miami) teem with dense and dynamic marks that evoke ornament, language, and architecture. By variously layering and erasing his linework and using vibrant color to optically push or pull his pictures, El-Saieh creates rhythmic, all-over compositions from which larger forms appear to emerge—testing both the limits of perception and expectations about abstraction. more divergent Haitian artistic Free.\",\"PeriodicalId\":32895,\"journal\":{\"name\":\"NineteenthCentury Art Worldwide\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-10-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NineteenthCentury Art Worldwide\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.29411/ncaw.2022.21.3.29\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NineteenthCentury Art Worldwide","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29411/ncaw.2022.21.3.29","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
我们周围物质和能量的流动——在直觉和分析、随机性和秩序、日常生活和宇宙之间。Tomm El Saieh（生于1984年，太子港；在迈阿密生活和工作）的大型抽象绘画充满了密集而动态的标记，唤起了装饰、语言和建筑的灵感。El Saieh通过对他的线条进行不同的分层和擦除，并使用充满活力的颜色来光学地推动或拉动他的画面，创作出有节奏的、全面的作品，从中出现了更大的形式——测试了对抽象的感知和期望的极限。更具分歧的海地艺术自由。
Rodin in the United States: Confronting the Modern
flows of matter and energy around us—between intuition and analysis, randomness and order, the quotidian and the cosmic. The large-format, abstract paintings of Tomm El-Saieh (b. 1984, Port-au-Prince; lives and works in Miami) teem with dense and dynamic marks that evoke ornament, language, and architecture. By variously layering and erasing his linework and using vibrant color to optically push or pull his pictures, El-Saieh creates rhythmic, all-over compositions from which larger forms appear to emerge—testing both the limits of perception and expectations about abstraction. more divergent Haitian artistic Free.
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