布朗加的小说:尤金尼奥·德·塔皮亚的朝臣与革命(1838-39年)和佩德罗·马塔的诗人和银行家(1842年)

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Hispanic Research Journal-Iberian and Latin American Studies Pub Date : 2021-11-02 DOI:10.1080/14682737.2022.2079846
Elizabeth Amann
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引用次数: 0

摘要

摘要1833年至1840年是西班牙政治动荡的时期。这些年不仅见证了从绝对君主制向自由议会制度的转变,而且西班牙的自由主义者也开始分裂成几个派别,导致起义和政府的几次更迭。与此同时,这个国家不得不抵御北方反自由主义的卡尔派的军事进攻。本文比较和对比了这一时期记录这一动荡的两部小说:尤金尼奥·德·塔皮亚的《洛斯·科特萨诺与革命》(1838–39)和佩德罗·马塔的《诗人与班奎罗》(1842)。它考察了这些作品是如何通过情节、结构和人物系统来表现和评论这一时期的剧变的。这两部小说包含或省略了这种政治转型的哪些元素?他们如何分析这些历史变化?最后,他们在革命和浪漫主义之间建立了什么关系,浪漫主义是那个时期的主导美学?
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The Novel of the Bullanga: Eugenio de Tapia’s Los cortesanos y la revolución (1838–39) and Pedro Mata’s El poeta y el banquero (1842)
Abstract The period between 1833 and 1840 was a moment of political upheaval in Spain. Not only did these years witness the transition from an absolute monarchy to a liberal parliamentary system, but Spanish liberals also began to divide into several factions, leading to uprisings and several changes in government. At the same time, the nation had to fend off the military advances of the anti-liberal Carlists in the North. This article compares and contrasts two novels from the period that chronicle this turbulence: Los cortesanos y la revolución (1838–39) by Eugenio de Tapia and El poeta y el banquero (1842) by Pedro Mata. It examines how these works represent and comment on the upheaval of the period through their plot, structure, and character systems. What elements of this political transition are included or omitted in the two novels? How do they analyse these historical changes? Finally, what relationship do they establish between revolution and romanticism, the dominant aesthetic of the period?
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