Tempo, escala, tiempos: el relato de larga duración de Tamara Kamenszain

: The edition of La novela de la poesía (2012) already made evident two fun - damental issues in Tamara Kamenszain’s writing: on the one hand, a specific inscription of the passage poetry/novel/essay; on the other, the book (the edition, the support, the object) as a link . More recently, El libro de Tamar (2018) and Libros chiquitos (2020) illumi-nate in a special way two other constitutive aspects of the process: one, the temporal spiral between the program of the 70s and the present of writing, which converts the series in a long duration narrative; two, the problem of limits in the form of scale. In this