艺术和文化非营利组织作为公民行动者:绘制非营利组织中的受众、社区和公民参与

IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2023-07-04 DOI:10.1080/10632921.2023.2240132
Mirae Kim, Jodi R Benenson
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引用次数: 0

摘要

摘要“社区参与”一词一直是艺术和文化部门的流行语,但在对艺术和文化非营利组织没有明确了解的情况下,它与“公民参与”和“观众参与”互换使用。利用来自106个非营利艺术和文化组织的原始调查数据,我们的研究确定了艺术和文化非营利组织所理解的观众参与和公民参与之间的重叠和差距,以及与某些类型的参与活动相关的共同组织特征。我们提出了在艺术和文化非营利组织中区分观众参与和公民参与活动的方法。
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Arts and Culture Nonprofits as Civic Actors: Mapping Audience, Community, and Civic Engagement in Nonprofit Organizations
Abstract The term “community engagement” has been a buzzword in the arts and culture sector, but it has been used interchangeably with “civic engagement” and “audience engagement” without a clear understanding of arts and culture nonprofit organizations. Using original survey data from 106 nonprofit arts and culture organizations, our study identifies the overlap as well as the gap between audience engagement and civic engagement as understood by arts and culture nonprofits, as well as common organizational characteristics that are associated with certain types of engagement activities. We propose ways to differentiate audience engagement and civic engagement activities in arts and culture nonprofits.
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来源期刊
JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY
JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.50
自引率
0.00%
发文量
33
期刊介绍: How will technology change the arts world? Who owns what in the information age? How will museums survive in the future? The Journal of Arts Management, Law, and Society has supplied answers to these kinds of questions for more than twenty-five years, becoming the authoritative resource for arts policymakers and analysts, sociologists, arts and cultural administrators, educators, trustees, artists, lawyers, and citizens concerned with the performing, visual, and media arts, as well as cultural affairs. Articles, commentaries, and reviews of publications address marketing, intellectual property, arts policy, arts law, governance, and cultural production and dissemination, always from a variety of philosophical, disciplinary, and national and international perspectives.
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