{"title":"Necropower嘉年华:以色列士兵在巴勒斯坦被占领土上跳舞","authors":"Melissa Melpignano","doi":"10.1017/S1054204322000910","DOIUrl":null,"url":null,"abstract":"Israeli soldiers dancing to global pop hits in the Occupied Palestinian Territories look like they are having fun, and there is always something entertainingly contradictory in watching army bodies circumventing the military codes. But the choreographic analysis of three viral videos from the 2010s reveals how dancing serves the Israel Defense Forces’ territorializing and necropower strategy.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"186 - 202"},"PeriodicalIF":0.4000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Necropower Carnival: Israeli Soldiers Dancing in the Palestinian Occupied Territories\",\"authors\":\"Melissa Melpignano\",\"doi\":\"10.1017/S1054204322000910\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Israeli soldiers dancing to global pop hits in the Occupied Palestinian Territories look like they are having fun, and there is always something entertainingly contradictory in watching army bodies circumventing the military codes. But the choreographic analysis of three viral videos from the 2010s reveals how dancing serves the Israel Defense Forces’ territorializing and necropower strategy.\",\"PeriodicalId\":46402,\"journal\":{\"name\":\"TDR-The Drama Review-The Journal of Performance Studies\",\"volume\":\"67 1\",\"pages\":\"186 - 202\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TDR-The Drama Review-The Journal of Performance Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S1054204322000910\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TDR-The Drama Review-The Journal of Performance Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S1054204322000910","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
A Necropower Carnival: Israeli Soldiers Dancing in the Palestinian Occupied Territories
Israeli soldiers dancing to global pop hits in the Occupied Palestinian Territories look like they are having fun, and there is always something entertainingly contradictory in watching army bodies circumventing the military codes. But the choreographic analysis of three viral videos from the 2010s reveals how dancing serves the Israel Defense Forces’ territorializing and necropower strategy.
期刊介绍:
TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance