{"title":"通过马克斯·奥布，他与马尔罗，让·卡苏和五十年代艺术书目的联系，对流放艺术的品味进行分类","authors":"Dolores Fernández-Martínez","doi":"10.3989/CHDJ.2018.007","DOIUrl":null,"url":null,"abstract":"With the passing of time, the novel published by Max Aub in Mexico 1958, Jusep Torres Campalans, uncovers itshelf as a mirror where we see the relationship between spanish and french historiography at the time, pertaining the spanish label, the vanguardias and Picasso, Goya and Juan Gris. A valuable addition to studies on the concept of spanish art, and spacifically spanish republican art in exile.","PeriodicalId":51942,"journal":{"name":"Culture & History Digital Journal","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2018-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Categorization of taste in the art of exile through Max Aub, his conections to Malraux, Jean Cassou and the fiveties (50’s) artistic bibliography\",\"authors\":\"Dolores Fernández-Martínez\",\"doi\":\"10.3989/CHDJ.2018.007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"With the passing of time, the novel published by Max Aub in Mexico 1958, Jusep Torres Campalans, uncovers itshelf as a mirror where we see the relationship between spanish and french historiography at the time, pertaining the spanish label, the vanguardias and Picasso, Goya and Juan Gris. A valuable addition to studies on the concept of spanish art, and spacifically spanish republican art in exile.\",\"PeriodicalId\":51942,\"journal\":{\"name\":\"Culture & History Digital Journal\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2018-07-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Culture & History Digital Journal\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.3989/CHDJ.2018.007\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Culture & History Digital Journal","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.3989/CHDJ.2018.007","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
Categorization of taste in the art of exile through Max Aub, his conections to Malraux, Jean Cassou and the fiveties (50’s) artistic bibliography
With the passing of time, the novel published by Max Aub in Mexico 1958, Jusep Torres Campalans, uncovers itshelf as a mirror where we see the relationship between spanish and french historiography at the time, pertaining the spanish label, the vanguardias and Picasso, Goya and Juan Gris. A valuable addition to studies on the concept of spanish art, and spacifically spanish republican art in exile.
期刊介绍：
Culture & History Digital Journal features original scientific articles and review articles, aimed to contribute to the methodological debate among historians and other scholars specialized in the fields of Human and Social Sciences, at an international level. Using an interdisciplinary and transversal approach, this Journal poses a renovation of the studies on the past, relating them and dialoguing with the present, breaking the traditional forms of thinking based on chronology, diachronic analysis, and the classical facts and forms of thinking based exclusively on textual and documental analysis. By doing so, this Journal aims to promote not only new subjects of History, but also new forms of addressing its knowledge.
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