“不在那里”:塞缪尔·贝克特《脚印》中的“暗物质”

James Little
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引用次数: 0

摘要

摘要塞缪尔·贝克特1976年的剧作《足迹》围绕着表演中看不见或不太见的元素展开。本文运用“暗物质”的概念来分析该剧在创作过程中的戏剧缺席及其建构。作为贝克特数字手稿项目的一部分,对该剧手稿进行了数字化和转录分析,结果表明,这种“暗物质”不仅是出版文本或表演的一个特征,而且是贝克特创作过程的组成部分,尤其是在他如何塑造思想方面。本文通过对《足迹》中的心理模型的研究,认为贝克特利用剧中的“暗物质”来实现剧中主体和客体的分解。
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‘Not there’: ‘dark matter’ in Samuel Beckett’s Footfalls
ABSTRACT Samuel Beckett’s 1976 play Footfalls is built around elements which are invisible, or not quite there, in performance. This article uses the concept of ‘dark matter’ to analyse the play’s theatrical absences and their construction in the creative process. An analysis of the play’s manuscripts, digitized and transcribed as part of the Beckett Digital Manuscript Project, reveals that such ‘dark matter’ is not just a feature of the published text or performance, but is constitutive of Beckett’s creative process, particularly with regard to how he stages the mind. This article studies the models of mind staged in Footfalls in order to argue that Beckett uses the play’s ‘dark matter’ to enact the breakdown of subject and object in the play.
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来源期刊
International Journal of Performance Arts and Digital Media
International Journal of Performance Arts and Digital Media Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.70
自引率
0.00%
发文量
29
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