沉浸式体验与民族:1900-1936年加泰罗尼亚业余立体摄影

N. Rius
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引用次数: 1

摘要

1900年至1930年间,业余摄影在加泰罗尼亚臭名昭著。这种延伸在富裕阶层中有着特殊的根源,他们在摄影和徒步旅行中找到了一种对国家的承诺。在摄影和国家之间的这种衔接中,当时非常流行的立体格式发挥了资本作用。立体感允许拍摄双张照片,多亏了取景器,它提供了沉浸、透明和物理过渡的深刻体验。本文不仅从业余摄影的生产实例,而且从其观察和体验实例来质疑民族视觉文化的构建过程,这将身体置于民族身份构建过程的中心,并强调了摄影业余主义在文化加泰罗尼亚主义中发挥的相关作用。
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Experiencias inmersivas y nación: la fotografía estereoscópica amateur en Cataluña 1900-1936
Between 1900 and 1930, amateur photography spread notoriously in Catalonia. This extension had particular roots among the wealthy classes who found a form of commitment to the nation in photography and hiking. In this articulation, between photography and nation, the stereoscopic format, which was very popular at the time, played a capital role. Stereoscopic allowed the taking of double photographs that, thanks to a viewfinder, offered a profound experience of immersion, transparency and physical transit. The article interrogates the processes of construction of national visual culture not only in terms of the productive instance of amateur photography but also in its observational and experiential instance, which places the body at the centre of the processes of construction of national identities and underlines the relevant role that photographic amateurism played in cultural Catalanism.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
27
审稿时长
30 weeks
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